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Creators:
Tucker, Marcia
Dates:
1973-1994
Size:
2.4 Linear feet
Collection ID:
AAA.tuckmarc
Repository:
Archives of American Art

The papers of curator and museum director Marcia Tucker measure 2.4 linear feet and date from 1973-1994. The collection documents Tucker's tenure as the Director of the New Museum of Contemporary Art in New York through artists' files, correspondence, project files, printed material, and photographs. The papers also reflect Tucker's activities as an advocate for women in the arts.

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Creators:
Ireland, David, 1930-2009
Dates:
circa 1910s-circa 2009
bulk 1960-2005
Size:
24.8 Linear feet
8.39 Gigabytes
Collection ID:
AAA.ireldavi
Repository:
Archives of American Art

The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.

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Creators:
Lawrence P. Fraiberg Productions
Dates:
1979
Size:
2.4 Linear feet
Collection ID:
AAA.frailawr
Repository:
Archives of American Art

The State of the Arts videorecordings measure 2.4 linear feet and consist of 30 videocassettes (U-matic) and three sets of handwritten notes, all created during the production of a pilot episode for a broadcast television documentary series on contemporary art in 1979. Four stories were produced for the pilot: a staged debate on modern art at the Museum of Modern Art; an investigation into the economics of the contemporary art market, a collaboration between video artist Nam June Paik and sound artist Liz Phillips, and an extended interview with sculptor George Segal on the occasion of his 1979 retrospective exhibition at the Whitney Museum of American Art. Video footage includes raw footage for each segment and edited versions of the economics of art story, the Nam June Paik and Liz Phillips story, and the George Segal story. The reporter and interviewer for the program was Barry Nolan.

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Creators:
Goulet, Lorrie, 1925-
Dates:
1931-2009
Size:
10 Linear feet
Collection ID:
AAA.goullorr
Repository:
Archives of American Art

The papers of New York City sculptor, painter, educator, and writer Lorrie Goulet (1925- ) measure 10.0 linear feet and date from 1931 to 2009. Goulet's career is documented through biographical materials, correspondence, writings and notes, interviews, exhibition files, project and commission files, teaching files, personal business records, printed materials, photographs, and artwork.

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Creators:
Cajori, Charles, 1921-
Dates:
1942-2011
Size:
5.8 Linear feet
0.07 Gigabytes
Collection ID:
AAA.cajochar
Repository:
Archives of American Art

The papers of New York painter, Charles Cajori measure 5.8 linear feet and 0.070 GB and date from 1942-2011. The collection documents Cajori's activities as a painter, educator, and co-founder of the Tanager Gallery that was located on the Lower East Side in New York through correspondence; writings and notes; interviews, talks, and panel discussions, one digitized, on art and artists; and printed materials.

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Creators:
Facci, Domenico, 1916-1994
Dates:
1914-1995
Size:
1.2 Linear feet
Collection ID:
AAA.faccdome
Repository:
Archives of American Art

The Domenico Facci papers are dated 1914 to 1995, with the bulk falling between the years 1950 and 1984. They measure 1.2 linear feet and consist of biographical material, correspondence, artwork relating to sculpture projects, printed material, and photographs. Among the well-documented aspects of Facci's professional career are: his leadership roles in several arts organizations based in New York City, including Audubon Artists, National Sculpture Society, and Artists Equity Association; his work on the United States Treasury's 1988 Olympic Games commemorative coin competition, Brooklyn Bridge 100th Anniversary reliefs, Endangered Species Medal, and Neptune Fountain at Busch Gardens in Williamsburg, VA.

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Creators:
Guild Art Gallery
Dates:
circa 1933-1937
Size:
1.2 Linear feet
Collection ID:
AAA.guilart
Repository:
Archives of American Art

The records of the Guild Art Gallery measure 1.2 linear feet and date from circa 1933-1937. Operating in New York City between 1935-1937, the gallery was founded by artists Margaret Lefranc (also known as Margaret Schoonover) and Anna Walinska. Scattered records of the gallery include correspondence, including some with artists, exhibition files, financial records, a scrapbook and other printed materials, a drawing by Anna Walinska, and photographs of artwork and the gallery.

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Creators:
Clarke, Thomas B. (Thomas Benedict), 1848-1931
Dates:
1880-1936
bulk 1883-1920
Size:
3.6 Linear feet
Collection ID:
AAA.clarthom
Repository:
Archives of American Art

The scrapbooks of Thomas Benedict Clarke measure 3.6 linear feet and date from 1879-1930. Twelve scrapbooks contain mostly newspaper clippings, but also include correspondence, invitations, exhibition catalogs, programs, magazine articles, art auction catalogs, and other material relating to Clarke's personal art collection and general art patronage. The scrapbooks also include clippings and miscellany relating to the Clarke family and influential society clubs, such as the Union League, Lambs, and New York Athletic clubs.

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Creators:
Artschwager, Richard, 1923-
Dates:
1959-2013
Size:
5.6 Linear feet
Collection ID:
AAA.artsrich
Repository:
Archives of American Art

The papers of New York painter and sculptor Richard Artschwager measure 5.6 linear feet and date from 1959-2013. The papers include extensive correspondence, recorded talks and a lecture, exhibition files, printed material, and photographs.

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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