10 records — Page 1 of 1
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Creators:
Stevens, Phillips, Jr
Dates:
1964-1965
Size:
99 slides (photographs) (1 volume, color)
Collection ID:
EEPA.1990-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Phillips Stevens Jr. in Nigeria from 1964 through 1965. The photographic images are of Hausa and Yoruba architecture, art works in-situ including the bronzes at Tada and Jebba, and Masquerades among the Nupe peoples.

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Dates:
1900-1905
Size:
146 negatives (photographic) (dupe negs, black & white, 4 x 5 in.)
146 photographic prints (dupe prints (2 v.), black & white, 8 x 10 in.)
67 photographic prints (albumen, black & white, 25 x 30 cm.)
79 photographic prints ((1 box), black & white, 16 x 11 cm. or smaller)
Collection ID:
EEPA.1997-014
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs belonging to the fiancée of Mr. A.E. Ball, a missionary with the Church Missionary Society in Bida, Nigeria (Nupe). While she was waiting for him in England, he sent numerous photographs with penciled explanations to her, which she kept even after the engagement had ended. Many of the images appear to be the work of A.W. Banfield, a Canadian missionary and a contemporary of A.E. Ball, whose photographs are now in the Royal Ontario Museum in Toronto. Identical images are found in Banfield's book, Life Among the Nupe Tribe, (1905). Twenty-five of the images are portraits of African men and women in the style and size of cartes de visite. Many more of the images include group photographs of Africans and Europeans. A third subject found among the images is architecture. These images include Nupe buildings in Bida, a cathedral in the Canary Islands, a mosque and the High Commissioner's bungalow in Zumgeru.

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Creators:
Hillier, Arthur Edmonds, Major, d. 1944
Dates:
circa 1935
Size:
36 photographs (1 photograph album, black and white)
Collection ID:
EEPA.2006-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection consists of an album containing 36 photographs taken by Maj. Arthur E. Hillier, a British Army officer serving with the Nigeria Regiment, Royal West African Frontier Force, circa 1935. The images are portrait photographs, which were used to identify local staff and employees. Individuals from a variety of culture groups are depicted, including the Hausa, Yoruba, Kanuri, Nupe, Fula, Dakakari, Bella, Baggara, Sara, Angas, Tiv, Bagirmi and Zarma peoples.

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Creators:
Brinkworth, William Ian
Dates:
1901-1991
Size:
3600 negatives (photographic) (0801-3332: B5-6; 3333-4422: B5-7, black and white ;, 35mm.)
637 Photographic prints (black and white.)
179 Transparencies (color ;, 35mm.)
8 Volumes (Books and magazines)
65 manuscripts (document genre)
7 sound recordings
Collection ID:
EEPA.2008-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

William Ian Brinkworth's collection, dated from 1901 to 1991, includes an extensive number of black and white photographs, negatives, color transparencies, books, audio tapes, manuscripts, and research materials. The manuscripts include Brinkworth's book drafts, film treatments, correspondence, historical documents, legal documents, journals and magazines in which his work was published.

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Creators:
Elisofon, Eliot
Dates:
1942-1972
Size:
5,000 Photographic Prints ((10 boxes), b&w, 14 x 11 in. or smaller)
Collection ID:
EEPA.1973-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Eliot Elisofon in Africa and in European and American museums and collections during his extensive travels from 1942 through 1972. African kingdoms and peoples represented include Afo, Anyi, Asante, Atie, Baga, Bamana, Baule, Bembe, Benin, Bobo, Boki, Bozo, Chamba, Chokwe, Dan, Dinka, Dogon, Ebrie, Efik, Ejagham, Hausa, Ibibio, Idoma, Ife, Igbo-Ukwu, Ijo, Jenne, Jukun, Kamba, Kissi, Kom, Kongo, Kono, kota, Kpelle, Kuba, Kuyu, Kwele, Lega, Lobi, Loma, Lozi, Luba, Lulua, Lunda, Mambila, Mende, Mossi, Nalu, Ndebele, Ngbaka, Ngoni, Nok, Nupe, Nyamwezi, Pende, Suku, Susu, Tabwa, Teke, Temne, Tetela, Tiv, Tuareg, Urhobo, Vai, Woyo, Yaka, Yoruba, and Zande.

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Creators:
Pelletier, Sujatha
Dates:
1992-1995
Size:
80 slides (photographs) (color)
Collection ID:
EEPA.1998-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of people and architecture taken by Sujatha Pelletier in Nigeria, Ghana, Cote d'Ivoire, Niger, Morocco and Mali from June of 1992 through June of 1995.

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Creators:
Borgatti, Jean
Dates:
1971-2003
Size:
3617 slides (photographs) (color, 35 mm)
166 contact sheets ((2 binders))
3555 negatives (photographic) (black and white, 35 mm)
4 Notebooks ((1 box))
1 cassette tape ((2 boxes))
25 Film reels (Super 8)
Collection ID:
EEPA.2016-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Jean Borgatti's collection dates from 1971 to 2003 and was created in Nigeria and Ghana. Much of the collection documents masquerades, shrines, festivals, market scenes, and ceremonies, and includes images of Urhobo, Uzairue, Ishan (Esan), Etsako, and Otuo peoples.

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Creators:
Elisofon, Eliot
Dates:
circa 1935-1978
Size:
14000 negatives (photographic) (b&w, 35mm)
30000 slides (photographs) (color)
80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)
Collection ID:
EEPA.1973-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Emily Dean
Edwin R. Dean
Dates:
1965-1967
Size:
117 slides (photographs) (color)
Collection ID:
EEPA.2002-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Slides taken in Nigeria, 1965-67, a few years after independence and at the eve of the Biafra War by Edwin R. and Emily Dean. Emily Dean took most of the photographs. She taught at the St. Louis Secondary School. The images are typical for the time period (note that some of them are half frame images, taken with a type of camera heavily promoted in the 1960s). Geographic locations reflect the Deans' experiences and travel: the University of Ibadan Campus, the Jos Museum, Bida , Zaria, Kano, Lagos, and Abeokuta. Of particular interest is a series of Adire production in Abeokuta, the old palace at Idanre and the Timi of Ede's Shango shrine.

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10 records — Page 1 of 1