The photographs of San Francisco photographer William J. Eisenlord measure 0.3 linear feet and date from 1953-1976. Photographs depict the City Lights Bookstore of San Francisco, California and the exhibition opening of "Poets of the Cities" at the San Francisco Museum of Art in 1976. Also included are photographs of jazz and beat poetry performances taken by Ed Nyberg in 1957.
The Raymond Saroff papers are dated 1953-2009 and comprise 1.2 linear feet. Letters, printed material and photographs compiled by Saroff document his interest in Claes Oldenburg and "Happenings." Also included are a videotape of Saroff's film Claes Oldenburg's "Ray Gun Theater – 1962" and receipts for artwork purchased for his modern art collection. The 2014 addition includes a catalog essay by curator and collector Howard Rose, Saroff's partner, for an exhibition of their folk art collection at Bard College (1991). Also found are financial records regarding his collections, related printed material, and photographs of artwork.
The papers of painter, sculptor, and performance artist Robert Delford Brown measure 3.9 linear feet and 7.98 GB and date from 1964-2009. The papers document his career as an artist and in particular the arts space "church" he founded in New York City, known as The First National Church of Exquisite Panic, Inc. The collection consists of biographical material, correspondence, church records, printed and digital material, photographic material, and video records of performance art. Brown's early career is documented in one scrapbook containing photographs, notes, and press materials.
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.
The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 55.3 linear feet and date from 1872-1994, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.
The Robert Scull papers measure 2 linear feet and date from 1955 to circa 1984, with the bulk of the material dating from 1965 to 1970. Throughout the 1960s, Robert Scull was a wealthy and prominent art collector of Abstract, Pop, and Minimalist art whose collection included works by Michael Heizer, Jasper Johns, Robert Rauschenberg, and Andy Warhol, among others. HIs papers include fourteen annotated appointment books, correspondence, financial and legal records, printed material, and photographs.
The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.
The papers of curator Nan Rosenthal measure 26.6 linear feet and 17.1 gigabytes and date from circa 1940-2013. There is a small amount of biographical material; correspondence, mostly letters from her first husband Otto Piene; project and research files encompassing her work as a curator and historian; as well as teaching files; and thousands of slides organized by subject. Among Rosenthal's research and project files are sound recordings and transcripts from dozens of interviews Rosenthal conducted with artists including Howard Hodgkin, Anselm Kiefer, friends and family of Yves Klein, Robert Rauschenberg and friends, George Rickey, Claus Oldenburg, and Sangbin Im. In addition to paper records, the collection also includes a large number of sound recordings, video recordings, and born digital material.
The Samuel J. Wagstaff papers, circa 1932-1985 comprise 6.4 linear feet of correspondence, writings, miscellaneous records, printed material, and photographs documenting Wagstaff's professional and personal relationships with artists and photographers, his career as an art curator, and his position as an important collector of paintings and photographs. Correspondence with artists and others such as curators, arts organizations, galleries, and museums, reflects the diversity of contemporary American art and includes individuals associated with the abstract expressionist, Fluxus, pop, earth, conceptual, and minimalist art movements.
The records of the Gertrude Kasle Gallery of Detroit measure 8.1 linear feet and date from 1949-1999, with the bulk of records dating from 1964-1983. The collection documents the establishment and operations of this contemporary American art gallery and consists of artists files, business and administrative files, exhibition files, photographic materials, and interviews and lectures in the form of sound recordings.