28 records — Page 1 of 3
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Creators:
Saroff, Raymond
Dates:
1953-2009
Size:
1.2 Linear feet
Collection ID:
AAA.saroraym
Repository:
Archives of American Art

The Raymond Saroff papers are dated 1953-2009 and comprise 1.2 linear feet. Letters, printed material and photographs compiled by Saroff document his interest in Claes Oldenburg and "Happenings." Also included are a videotape of Saroff's film Claes Oldenburg's "Ray Gun Theater – 1962" and receipts for artwork purchased for his modern art collection. The 2014 addition includes a catalog essay by curator and collector Howard Rose, Saroff's partner, for an exhibition of their folk art collection at Bard College (1991). Also found are financial records regarding his collections, related printed material, and photographs of artwork.

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Creators:
Eisenlord, William J., 1926-1997
Dates:
1953-1976
Size:
0.3 Linear feet
Collection ID:
AAA.eisewill
Repository:
Archives of American Art

The photographs of San Francisco photographer William J. Eisenlord measure 0.3 linear feet and date from 1953-1976. Photographs depict the City Lights Bookstore of San Francisco, California and the exhibition opening of "Poets of the Cities" at the San Francisco Museum of Art in 1976. Also included are photographs of jazz and beat poetry performances taken by Ed Nyberg in 1957.

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Creators:
Lippincott, Inc.
Everett, Roxanne
Dates:
1968-1977 and [undated]
Size:
1.2 Linear feet ((ca. 700 items partially microfilmed on two reels))
Collection ID:
AAA.ippinc
Repository:
Archives of American Art

Photographs by Roxanne Everett, of artists fabricating and installing their sculpture at Lippincott, Inc., and other sites.

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Creators:
Allen Memorial Art Museum
Dates:
1916-1967
Size:
51 Reels
Collection ID:
AAA.allememo
Repository:
Archives of American Art

The microfilmed Allen Memorial Art Museum records contain general correspondence (1931-1958); business correspondence of the director (1916-1958), curators (circa 1929-1967), correspondence with dealers (1941-1953); and files of Clarence Ward, Director from 1917 until 1950, much of which relate to lectures. Also included are exhibition data (1929-1...

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Creators:
Kron, Joan
Dates:
1959-1971
Size:
1.4 Linear feet
Collection ID:
AAA.kronjoan
Repository:
Archives of American Art

The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.

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Creators:
Brown, Robert Delford
Dates:
1964-2009
Size:
3.9 Linear feet
7.98 Gigabytes
Collection ID:
AAA.browrober
Repository:
Archives of American Art

The papers of painter, sculptor, and performance artist Robert Delford Brown measure 3.9 linear feet and 7.98 GB and date from 1964-2009. The papers document his career as an artist and in particular the arts space "church" he founded in New York City, known as The First National Church of Exquisite Panic, Inc. The collection consists of biographical material, correspondence, church records, printed and digital material, photographic material, and video records of performance art. Brown's early career is documented in one scrapbook containing photographs, notes, press materials, and select artwork and documentation of ephemeral and performance artworks.

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Creators:
Johnson, Ellen H.
Dates:
1872-2018
bulk 1921-1992
Size:
60.3 Linear feet
Collection ID:
AAA.johnelle
Repository:
Archives of American Art

The papers of art historian, art critic, author, librarian and educator Ellen Hulda Johnson measure 60.3 linear feet and date from 1872-2018, with the bulk of the material dating from 1921-1992. The papers include biographical materials; personal and family files; personal, professional, and business correspondence; extensive research and writing files; teaching files; subject files; professional and curatorial files; and artists' files. Johnson's papers reflect the full range of her career, interests, and close relationships with many artists.

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Creators:
Scull, Robert, 1917-1986
Dates:
1955-circa 1984
bulk 1965-1970
Size:
2.2 Linear feet
Collection ID:
AAA.sculrobe
Repository:
Archives of American Art

The Robert Scull papers measure 2.2 linear feet and date from 1950 to circa 1984, with the bulk of the material dating from 1965 to 1970. Throughout the 1960s, Robert Scull was a wealthy and prominent art collector of Abstract, Pop, and Minimalist art whose collection included works by Michael Heizer, Jasper Johns, Robert Rauschenberg, and Andy Warhol, among others. His papers include fourteen annotated appointment books, correspondence, financial and legal records, printed material, and photographs. There is a 0.2 linear foot unprocessed addition to this collection donated in 2020 that includes black and white photographs (and 1 color photograph), snapshots, negatives and negative strips of family, friends artwork and artists; correspondence; and loan forms for works of art.

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Creators:
Auer, James
Dates:
1977
Size:
68 Items ((on 2 microfilm reels))
Collection ID:
AAA.auerjmph
Repository:
Archives of American Art

Photographs by Auer from a 1977 exhibition, "Through the Studio Door," at the Oshkosh Public Museum. Contains photographs of artists and celebrities who work or exhibit in Wisconsin, photographs of works of art, and miscellaneous photos.

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Creators:
Solomon, Alan R., 1920-1970
Dates:
1907-1970
bulk 1944-1970
Size:
9.9 Linear feet
Collection ID:
AAA.soloalan
Repository:
Archives of American Art

The papers of New York art historian, museum director, curator, writer, and educator, Alan R. Solomon, measure 9.9 linear feet and date from 1907-1970, with the bulk of the material dating from 1944-1970. Through biographical material, correspondence, interview transcripts, writings and notes, teaching and study files, subject files, exhibition files, business records, printed material, and photographs, the collection documents Solomon's education, his early teaching appointments at Cornell University, and his subsequent direction of many diverse curatorial and research projects relating to contemporary American art, particularly the transition from Abstract Expressionism to later modern movements, and the thriving New York City art scene.

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28 records — Page 1 of 3