Oral history interview with Arthur Osver
An interview of Arthur Osver conducted 1976 Jan. 13-14, by Richard (Rick) Gaugert, for the Archives of American Art. Osver discusses his Russian immigrant background; growing up in Chicago; the Art Institute of Chicago; his career; teaching methods and influences; his fellowship in France; the influence of Van Gogh; the Federal Art …
Arthur Osver papers
Correspondence; biographical material; photographs; writings; sketches; exhibition catalogs; clippings; and printed material.
Victor Candell papers
Correspondence; scrapbook; photographs; diaries; writings; catalogs; and clippings.
Samuel Adler papers
Correspondence, writings, art works, scrapbooks, phtoographs, sound records, and printed material reflect Adler's career as a painter and teacher.
Theo Hios papers
0.6 Linear feet (Addition (D.C.))
Correspondence; writings and lectures; press releases; photographs; sketchbook; exhibition annoucements, invitations and catalogs; and printed material.
Grand Central Art Galleries records
bulk circa 1952-circa 1965
The records of New York City's Grand Central Art Galleries measure 1.3 linear feet and date from 1931 to 1968, with the bulk of the material from circa 1952 to circa 1965. The majority of the records are related the Grand Central Moderns, the modern art division of Grand Central Art Galleries. The collection includes group exhibition files, artists' files, printed material and photographs.
Werner Drewes papers
The papers of painter, printmaker, designer, and teacher, Werner Drewes, measure 15.76 linear feet and date from 1838-2015, with the bulk of the material dating from the 1890s-1990s. The papers document Drewes' life and career through biographical and family material; correspondence with family members, artists, galleries, and art institutions and organizations; scattered teaching notes and writings including a diary; catalogs and inventories of artwork; three scrapbooks; printed material; 38 sketchbooks, loose sketches, and prints; and photographs of Drewes, his family, friends and colleagues, exhibitions, travels, and works of art. Also found are scattered papers of Drewes' second wife, Maria Drewes.
Xavier Gonzalez papers
The papers of Xavier Gonzalez, a New York and Massachusetts painter, sculptor, educator, and owner of the Wellfleet Art Gallery, measure 14.1 linear feet and date from 1908 to 1997. The collection consists of biographical materials, correspondence, writings, project files, business records, printed materials, scrapbooks, photographs, and artwork.
Catherine Viviano Gallery records
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
American Federation of Arts records
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.