Fairfield Porter papers
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.
Bernard Harper Friedman papers
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
The Harry T. and Harriette V. Moore Archival Collection
Moore, Harriette V., 1902-1952
Harry T. Moore was a pioneering civil rights activist, educator, and civic leader. The collection was originally housed in a formerly "lost" briefcase that was found in 2006 by FBI investigators. The materials in this collection focus on his activities as a civil rights activist and community leader who sought to advocate for pay equity, voting rights, and justice reform for African American communities in Florida. Harry Moore and his wife Harriette were murdered for their work and they have been immortalized as the Civil Rights Movement's first martyrs.
Rackstraw Downes research material concerning Fairfield Porter
TThe Rackstraw Downes research material concerning Fairfield Porter measure 1.0 linear foot and date from 1962 to 2000, with the bulk of the material dating from 1970-1979. Downes used the material to compile, edit and write the introduction to Fairfield Porter: Art In Its Own Terms - Selected Criticism 1935-1975 published in 1979. Research materials include articles about Porter, exhibition catalogs, photocopies of letters and some original correspondence, theses and manuscripts. Also included are project files for the publication of Art In Its Own Terms.
Holly Solomon Gallery records
The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and 0.002 GB and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed and digital materials, photographic materials of artwork and exhibitions, and sound, video, and film recordings. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.
These records document the planning, development, and installation of exhibitions by the Department of Painting and Sculpture, Hirshhorn Museum and Sculpture Garden (HMSG). Included are biographical and bibliographical research files on artists; correspondence with museums, galleries, and artists concerning loan of artwork; loan reports; shipment records; installation notes and photographs …
Downtown Gallery records
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.