The papers of painter Anthony Thieme measure 1.0 linear feet and date from 1909 to 1972. The collection includes letters, notes and writings, photographs, business records, printed material, photographs, and a half-tone printing block of a work of art.

The papers of New York City and Gloucester, Massachusetts painters Charles Allan Winter (1869-1942) and Alice Beach Winter (1877-1970) measure 6.7 linear feet and date from circa 1890-1949, and circa 1974. The papers include biographical material, news clippings, a scrapbook of illustrations by Charles Allan Winter published in Cosmopolitan magazine, original artwork, and photographic prints, acetate negatives, and 699 glass plate negatives of the Winters, their artist friends, family, and artwork.

The papers of Massachusetts portait painter and watercolorist Charles Hopkinson date from 1892 to 1993 and measure 1.4 linear feet. The papers are comprised primarily of 17 sketchbooks and loose sketches. Also found are printed materials and three photographs of Hopkinson, as well as writings about Hopkinson written by his daughter Joan Hopkinson Shurcliff and her husband William Shurcliff.

Also found at the Archives is a small miscellaneous manuscript collection of five letters to Chauncey Stillman from Charles Hopkinson.

The papers of abstract expressionist painter Maud Cabot Morgan measure 0.2 linear feet and date from 1938-circa 1994. The papers include biographical material, letters, printed material, and a video recording. Biographical material consists of a resume for Maud Cabot Morgan. There are two letters (photocopies) that concern Morgan's honorary Doctor of Fine Arts degree from the Massachusetts College of Art. Printed material consists of clippings, exhibition announcements, and catalogs. One videocassette includes footage for 1986 Museum School Show, the 1994 exhibition "90 in the 90s," and an interview conducted by Gail Harris.

Papers of painter Elisabeth Weber-Fulop measure 0.2 linear feet and date from 1921 to 1966. Biographical material, letters, printed material, and photographs document Weber-Fulop's career and artwork.

The papers of Massachusetts painter, sculptor, and educator David Berger measure 3.8 linear feet and date from circa 1939 to 1986. His career as an artist and professor are documented through biographical material, personal business records, scattered correspondence, gallery files, exhibition catalogs, news clippings, and other printed material, as well as nine sketchbooks and photographs depicting Berger, his family, and artwork.

The papers of sculptor and portrait painter Henry Kirke Brown measure 1 linear feet and date from 1836 to 1893. The collection includes Brown's correspondence with his wife, Lydia Louise Udall, his nephew, Henry Kirke Bush-Brown, and other family members. Also included are letters from artists George Catlin, George Fuller, Sanford R. Gifford, James Reid Lambdin, Louis Lang, Erastus Dow Palmer, Hiram Powers, Horatio Stone, and others; five news clippings; and miscellaneous notes.

The papers of exhibition curator Sanford Schwartz measure 0.7 linear feet and date from 1948-2011. The papers document the preparation and organization of two exhibitions curated by Schwartz, the Myron Stout retrospective at the Whitney Museum of American Art in 1980, and The Early Work of William King at Alexandre Gallery in New York City in 2007. Materials regarding Provincetown, Massachusetts painter Myron Stout (1908-1987) include correspondence with Stout and lenders to the exhibition; notes, writings, and sketches by Schwartz pertaining to the exhibition; and photographs of Stout, including one with Hans Hofmann teaching in Provincetown in 1948. Material regarding sculptor William King (1925-1990) includes correspondence between Schwartz and King, exhibition research and notes, photographs of artwork, and printed material.

This collection measures 7.7 linear feet, dates from circa 1870 to 1992, and documents the life and career of painter Ross Moffett and, to a lesser extent, the life and career of his wife, painter, lithographer, etcher, and illustrator, Dorothy Lake Gregory Moffett. The collection includes correspondence, photographs, artwork including sketchbooks, and printed material including published writings, newspaper clippings, press releases, and exhibition catalogs.

The papers of painter Edmund Quincy measure 0.7 linear feet and date from 1891-1955, with the bulk of the materials dating from 1935-1955. In addition to biographical materials, letters, price lists, printed items, and a scrapbook documenting his painting career, Quincy's papers also include family photographs and a scrapbook concerning the political career of his father, Josiah Quincy, Mayor of Boston. Material concerning Quincy's father in some cases predates Quincy's birth. Also included are a diploma and drawings by Quincy.