The papers of painter and teacher Brian Kazlov measure 0.2 linear feet and date from 1959 to 1991. Included are letters written by Kazlov and his wife Louise to his parents, Gertrude and Peter, and other relatives. In his letters he wrote about his art education, his process of painting, the books he read, his relationships, and his emotional ups and downs as an artist. Also found are a few biographical documents, exhibition catalogs, and news clippings.
The papers of Portland, Oregon painter, printmaker, and educator Louis Bunce (1907-1983) measure 9.1 linear feet and date from the 1890s to 1983. Found are biographical materials, correspondence, writings and notes, interviews and interview transcripts, organizational records, personal business records, printed materials, nine scrapbooks, eighteen sketchbooks, artwork, and photographs. A few audiovisual recordings are scattered throughout series.
The papers of painter and teacher Morton Traylor measure 3.4 linear feet and date from 1936 to 2003. The papers document his career as an artist and administrator of the Virginia Art Institute through biographical material, correspondence, writings, personal business records, printed material, photographs, and scrapbooks. The bulk of the collection consists of photographs, slides, and albums of artwork by Traylor. Three scrapbooks document his education and early career through clippings, photographs, exhibition materials, and letters.
The papers of landscape painter and educator Reuben Tam measure 8.1 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...
The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.
The papers of California painter, printmaker, and art instructor Dorr Bothwell date from 1900-2006, and measure 10.6 linear feet and 1.72 GB. Found within the papers are biographical material, correspondence, personal business records, notes and writings, five diaries, art work and 19 sketchbooks, three scrapbooks, printed material, and print and digital photographs.
The papers of Fred Mitchell, 1938-2007, measure 14.3 linear feet. Correspondence, writings, 29 diaries, and subject files, document his personal life and career as a painter and educator in New York City. The papers also include biographical materials, artwork, sketchbooks, printed material, and photographs.
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.
29 drawings and 34 pages of typed explanatory text, formerly bound together, now disbound, plus an identifying title page handwritten by Albert Gatschet and one drawing on ruled paper. The explanatory text was transcribed from Gatschet's notebook, No. 2016-b, with corrections by Gatschet. T.p. inscribed: "Crayon Pictures of Cheyenne Ceremonial Cust...