Oral history interview with Madeleine L'Engle
Brown, Robert F.
An interview of Madeleine L'Engle conducted 1987 Sept. 2, by Robert Brown, for the Archives of American Art.
Elizabeth Hamilton Thayer Huntington papers
Letters; notes; a typescript of an unpublished autobiography (1942); sketches; a scrapbook containing letters, catalogs, and clippings; and photographs of Huntington, her house and her work.
Water Color Club administrative record book
Administrative record book of the Water Color Club including minutes of meetings, constitution and by-laws, sales records containing artists' names and prices, treasurers' reports, members' lists, an exhibition invitation, and blank season exhibition tickets.
Hyman Bloom papers
Durlacher Bros. (New York, N.Y.)
Letters from Dorothy Canning Miller, R. Kirk Askew (of Durlacher Bros.), Henry Allen Moe, Ala Story and others; financial and business records; printed material, including an exhibition catalog, announcements for an exhibit at the American Academy of Arts and Letters, and a 1949 John Simon Guggenheim Memorial Fellowship; a typescript of …
Oral history interview with Albert Alcalay
Brown, Robert F.
An interview of Albert Alcalay conducted 1979 January 17-October 19, by Robert F. Brown, for the Archives of American Art.
Howard M. Gibbs papers
Correspondence, sketchbooks, photographs, a scrapbook, and printed material.
Hannes Beckmann papers
Biographical sketches and resumes; a list of lectures; correspondence; illustrated notes, typescripts of lectures and other unpublished writings; 21 photographs of Josef Albers; exhibition catalogs; printed material; a subject file on Hilla Rebay containing memos and notes; papers concerning the Museum of Non-Objective Painting, NYC; a photograph of Frank Lloyd Wright …
James C. Nichols scrapbooks
Scrapbooks containing printed material, photographs and correspondence relating to Oliver Newberry Chaffee and Alfred Juergens.
Conflict of visions [videorecording] / producer, Tug Yourgrau; editor, Joel Olicker
Examines the Boston art scene in the late l930s and l940s, where traditional conservative artistic taste clashed with the emerging Boston Expressionists trained at the Museum of Fine Arts, Boston School. Focuses on the artists' relationship to the newly formed Institute of Modern Art, and the uproar which resulted when …
Umberto Romano papers
Correspondence, printed material, sketchbooks, photographs, and business material.
