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- Creators:
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Pepper, George H. (George Hubbard), 1873-1924
- Dates:
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1895-1918
- Size:
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1292 Negatives (photographic)
23 Photographic prints (black & white)
- Collection ID:
- NMAI.AC.001.034
- Repository:
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National Museum of the American Indian
George Hubbard Pepper specialized in the study of cultures of the American Southwest and Ecuador. Tribes which he studied are Acoma, Aztec, Blackfeet, Cochiti, Hopi, Isleta, Jemez, Laguna, Nambe, Navajo, Picuris, Pojuaque, Puye, San Carlos Apache, San Felipe, San Ildefonso, San Juan, Sandia, Santa Ana, Santa Clara, Taos, Tarascan, Tesuque, Ute, Zia, and Zuni. Photographs in the collection are of an excavation in Tottenville, New York, 1895; Pueblo Bonito in Chaco Cañon, New Mexico: Hyde Expedition, 1896-1900; and expeditions to the occupied Pueblos of the Southwest, 1904; Mexico, 1904, 1906; Guatemala; and Ecuador, 1907. There are also photos which complement a study Pepper did of the technique of Navajo weaving, and miscellaneous scenic and personal photos.
Found In
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- Creators:
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Saville, Marshall H. (Marshall Howard), 1867-1935
Pepper, George H. (George Hubbard), 1873-1924
Saville, Foster H. (Foster Harmon), 1874-1942
- Dates:
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1901-1922
bulk 1907-1918
- Size:
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526 Negatives (photographic) (526 glass plate negatives, black and white)
51 Photographic prints (black and white)
2 Lantern slides (black and white, color)
- Collection ID:
- NMAI.AC.001.037
- Repository:
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National Museum of the American Indian
Photographs and glass plate negatives documenting the various archaeological expeditions of all three Savilles. The bulk of the images concern the activities headed by Marshall Saville (and assisted by Foster and Randolph) in both South and Central America. Included to a lesser degree are the explorations of Foster in North America and Randolph in the Caribbean, South and Central America. Images document archaeological digs, their settings, the peoples encountered, as well as the objects found. The dates of the images found in this collection and taken by the various Savilles during their numerous expeditions are as follows (the photographer(s) attributed to photographs taken during a specific expedition is/are listed in parentheses following the country of the specific expedition) : 1891: Honduras (Marshall), 1900-1902: Mexico (Marshall), 1907: Cuba (Marshall), 1907: Ecuador (Marshall, Foster, Randolph), 1915: Honduras (Marshall), 1915: Cuba, Jamaica, Belize, Honduras, Guatemala (Randolph), 1914-1916: Ecuador, Colombia, Costa Rica, Panama, Jamaica (Marshall, Foster, Randolph), 1918: Pantigo site, Easthampton, Long Island, New York (Foster), 1922: Photographic portrait of Marshall
Found In
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- Creators:
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Museum of the American Indian, Heye Foundation
- Dates:
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1915
- Size:
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21 Glass plate negatives
21 Copy negatives
- Collection ID:
- NMAI.AC.001.048
- Repository:
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National Museum of the American Indian
Photographic negatives from the Museum of the American Indian, Heye Foundation expedition conducted by George Heye and George Pepper in Haywood, County, North Carolina in the Spring/Summer of 1915. Mounds on the James and Richard Plott farms near Canton were excavated as well as a mound on the property of T.D. Singleton in Bethel.
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- Creators:
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Museum of the American Indian, Heye Foundation
- Dates:
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1914-1915
- Size:
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141 Glass plate negatives
142 Copy negatives
- Collection ID:
- NMAI.AC.001.047
- Repository:
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National Museum of the American Indian
Photographic negatives shot by George H. Pepper and George G. Heye during farm excavations in New York and New Jersey in 1914.
Found In
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- Creators:
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Museum of the American Indian, Heye Foundation
- Dates:
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1907-108
- Size:
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398 Negatives (photographic)
- Collection ID:
- NMAI.AC.001.041
- Repository:
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National Museum of the American Indian
Photographic negatives made by George Pepper, Marshall Saville and Foster Saville during the second and third Ecuador expeditions in 1907 and 1908. The expeditions were sponsored by George Gustav Heye and included archaeological work in the Manabi and Esmereldas provinces in Ecuador.
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- Creators:
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Heye, George G. (George Gustav), 1874-1957
Museum of the American Indian, Heye Foundation
- Dates:
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1915
- Size:
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13 Photographic prints (silver gelatin)
120 Glass plate negatives
125 Copy negatives (acetate)
- Collection ID:
- NMAI.AC.001.007
- Repository:
-
National Museum of the American Indian
The photographs in this collection document the excavation of the Nacoochee Mound, located along the banks of the upper Chattahoochee River in the mountains of northeast Georgia, in the summer of 1915. The excavation was a joint project between the Museum of the American Indian, Heye Foundation and the Bureau of American Ethnology.
Found In
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- Creators:
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Museum of the American Indian, Heye Foundation
- Dates:
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1917-1923
- Size:
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1122 Negatives (photographic)
250 Photographic prints
4.25 Linear feet
- Collection ID:
- NMAI.AC.001.042
- Repository:
-
National Museum of the American Indian
This collection includes negatives and prints created between 1917 and 1923 during the Hendricks-Hodge Hawikku (Hawikuh) archaeological expedition on the A:shiwi (Zuni) Reservation in New Mexico. The expedition which was sponsored by the Museum of the American Indian, Heye Foundation, was one of the most extensive archaeological projects conducted at the time. Photographs in this collection were shot by Alanson B. Skinner, Frederick Webb Hodge, Edwin Francis Coffin, George Hubbard Pepper, Jesse L. Nusbaum, Donald Cadzow, and Victor Schindler. Many of the photographs in this collection have been restricted due to cultural sensitivity.
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- Creators:
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Hrdlička, Aleš, 1869-1943
Pepper, George H. (George Hubbard), 1873-1924
- Dates:
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1898-1902
- Size:
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588 Photographic prints
190 Copy negatives
- Collection ID:
- NMAI.AC.103
- Repository:
-
National Museum of the American Indian
This collection contains photographic prints and copy negatives taken by Ales Hrdlicka in Arizona and Mexico between 1898 and 1902. The majority of the photographs were donated by George Pepper to the Museum of the American Indian, Heye Foundation in 1923. Native communities that Hrdlicka photographed during his research include--Purepecha (Tarasco), Yoeme (Yaqui), Hualapai (Walapai), Havasupai (Coconino), Piipaash (Maricopa), Mojave (Mahave), Tohono O'odham (Papapgo), Quechan (Yuma/Cuchan), Tepecano, Akimel O'odham (Pima), Opata, Cora, Seri, Wixarika (Huichol), Nahua, Otomi and Yoreme (Mayo). Ales Hrdlicka (1869-1943) was born in the Czech Republic moved to the United States in 1881. Hrdlicka became known as the "Father" of Physical Anthropology and worked at the U.S. National Museum (now the National Museum of Natural History).
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- Creators:
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Palmer, Edward, 1829-1911
Jackson, William Henry, 1843-1942
La Gorce, John Oliver, 1880-1959
Martin, Charles
More … - Dates:
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1870s-1970s
bulk 1907-1931
- Size:
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18 Linear feet
- Collection ID:
- NAA.1973-48
- Repository:
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National Anthropological Archives
The papers of Neil Merton Judd, archeologist and curator in the Smithsonian Institution United States National Museum, were deposited in the National Anthropological Archives at various times during the 1960's and 1970's. Much of Judd's own material was produced as part of his official duties and lie within the public domain. The collection occupies fourteen linear feet of shelf space.
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- Creators:
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Museum of the American Indian, Heye Foundation
Heye, George G. (George Gustav), 1874-1957
- Dates:
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1890-1998
- Size:
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400 Linear feet
- Collection ID:
- NMAI.AC.001
- Repository:
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National Museum of the American Indian
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.