The papers of Burt Chernow measure 21.8 linear feet and consist mainly of research materials gathered and produced in the course of writing Christo and Jeanne-Claude: A Biography over an extensive period of close contact with the subjects, from the early 1980s until Chernow's death in 1997. Research materials for the biography include photocopies of personal documents of the Christos, hundreds of recorded interviews with Christo, Jeanne-Claude, their family members, and their associates, transcripts of interviews and research on interview subjects, other collected research material compiled chronologically, drafts of the biography written by Chernow, drafts of the biography and its epilogue produced after Chernow's death, and business records related to the book's production, which include significant correspondence with the Christos. Also found are the published German and U.S. editions of the biography, printed materials and photographs related to the book's subject matter, and fabric samples from five of the Christos' projects undertaken during Chernow's association with them. Chernow's career as an art critic, writer, educator, and arts advocate, primarily in Southern Connecticut, is documented in Chernow's other writings, organizational records, printed materials, and photographs.
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Interviews of 72 artists, and transcripts for all but five, conducted by Arlene Jacobowitz, the Associate Curator for the Department of Painting and Sculpture at the Brooklyn Museum, between 1965 and 1968. The artists discuss their work in the museum collection. Also included are 38 edited excerpts of the interviews, approximately 2-3 min. in length, used as "audio-labels" in the 1968 "Listening to Pictures" installation at the museum.
The papers of sculptor, painter and printmaker Worden Day (1916-1986) measure 2.5 linear feet and date from 1935-1986. The collection consists of biographical material, correspondence, writings, printed material, scrapbooks, photographic material, sketchbooks, and audiovisual material.
The records of New York City Grace Borgenicht Gallery date from circa 1953 to 1996 and measure 18 linear feet. The records include administrative files, correspondence, financial and legal records, exhibition files, printed material, two scrapbooks, and photographic negatives of artwork. The majority of the collection consists of artists' files.
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neuman's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York. A significant amount of information is found within the collection about Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Robert Indiana, Harry Lieberman, Rene Magritte, John Marin, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.
The records of the Terrain Gallery measure 5.3 linear feet and date from circa 1950s-2005, bulk 1955-1985. The bulk of the records consists of exhibition files that document over one hundred and forty exhibitions as well as the gallery's relationship with artists. The collection includes founding documents, correspondence, artists' files, writings and an interview, financial records, scrapbooks, and photographs.
This record unit consists of museum exhibition catalogues, press releases, handouts, pamphlets, posters, and checklists. Some material predates the formal establishment of the Office.
The papers of American art collector, paint manufacturer, lecturer, and painter, Leonard Bocour measure 11.8 linear feet and date from 1933 to 1993. Found within the papers are biographical material; miscellaneous correspondence with artists and colleagues, including Helen Frankenthaler, Chaim Gross, Philip Guston, Alex Katz, Jack Levine, Morris Louis, David Oxtoby, and Philip Pearlstein; diaries, daily calendars, notes and writings; personal business records and the business records of Bocour Artist Colors, Inc.; transcripts of interviews with Bocour; and printed material.
These records consist of files documenting exhibitions organized by the Department of Prints and Drawings and the Department of Graphic Arts, 1968-1987, under the leadership of Moser. Also included is a small amount of material left behind by curators Jacob Kainen and Janet A. Flint. Materials include correspondence, memoranda, label text, obj...