This collection consists of records created and maintained by Marian H. Pettibone, a curator and curator emeritus in the Division of Worms and the Department of Invertebrate Zoology until 1998. Her specialty was polychaetes. Materials include correspondence, manuscripts, reviews, photographs, and transaction files concerning specimen identific...

These records primarily document activities of the Division of Worms from its establishment in 1965 until 1975. They include correspondence concerning the identification, exchange, and distribution of specimens, professional activities of staff members, and administrative matters; files concerning W. Duane Hope's work as an officer of the Asso...

These records consist primarily of incoming and outgoing correspondence of the curatorial staff of the Division of Crustacea, 1965-1979, and its predecessor, the Division of Marine Invertebrates, 1908-1965. Most of the correspondence dates from 1937, with a small amount created before that date. A few photographs and manuscripts are included ...

This accession primarily consists of the professional correspondence of Austin B. Williams, an invertebrate zoologist with the National Marine Fisheries Service. Materials also include manuscripts, reviews, newsletters, photographs, certificates, maps, newspaper clippings, and log books.

This accession consists of records created and maintained by Kristian Fauchald, Curator, Chairman, and Research Zoologist, 1979- . The correspondence pertains to collections, proposals, research, students, and departmental administration. Some correspondence is from his time at the University of Southern California (1965-1979) before his arriv...

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

This accession consists of files created and maintained by Frederick M. Bayer, Zoologist Emeritus. Bayer came to the Smithsonian Institution in 1947 as a research zoologist specializing in taxonomy, zoogeography, and mineralogy of Octocorallia (soft corals). These materials consist of correspondence, subject files, field notes, photographs, ne...

This accession consists of correspondence, notes, research materials, manuscripts, and related materials documenting Meredith L. Jones' research on worms and his curatorial career at the American Museum of Natural History (AMNH) and the National Museum of Natural History (NMNH).

The papers of Waldo LaSalle Schmitt provide comprehensive documentation of his professional career, 1907-1977. They also illustrate, to a lesser degree, his personal life. Particularly well represented in the papers is material concerning Schmitt's carcinological research, his curatorial and administrative careers at the United States Nat...

The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.