Philadelphia Water Color Club records
Charter and by-laws; 1 photograph of Charles E. Dana, former President; 5 volumes of notes and minutes of meetings, including clippings, financial reports, committee information, description of PWCC's art collection, and other material; and 1 membership book.
Thornton Oakley papers
Correspondence, artist files and subject files relate to Oakley's activities as an artist and illustrator, and his involvement with numerous art organizations, including the Philadelphia Art Alliance, the Philadelphia Water Color Club, the Artists' War Relief Committee of Philadelphia, and the Exposition of Indian Tribal Arts. Artist files on Cecilia …
John Frederick Lewis selected letters
The letters, predominately incoming, relate to Lewis' activities on behalf of the Pennsylvania Academy of the Fine Arts regarding exhibitions, prizes, hiring, and problems relating to the teaching staff. There are also letters relating to the Philadelphia Water Color Club, the Art Club of Philadelphia, Lewis' collecting, and letters from …
The Garden Club of America collection
33 Linear feet ((garden files))
3,000 Lantern slides
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.
Maida Babson Adams American garden collection.
Photographic prints (black and white, 3 1/2 x 5 inches)
Photographic prints (black and white, 8 x 10 inches)
Contact sheets (black and white)
35mm slides (photographs) (color, 2 x 2 inches)
Negatives, 35mm negatives (color)
Negatives (black & white, 4 x 5 inches)
Negatives, 120mm negatives (black and white, 2 x 2 inches)
Film transparency (color, 4 x 5 inches)
Transparencies, 120mm transparencies (color, 2 x 2 inches)
The Maida Babson Adams American Garden Collection documents the work of Molly Adams, a free-lance garden photographer who photographed hundreds of private and public gardens, many of them in the mid-Atlantic region, from the late 1950s through the mid-1990s. It includes slides, photographic prints, negatives and transparencies. A significant number of images document the work of landscape designers Nelva M. Weber, Alice Recknagel Ireys, and Friede Stege. Roughly 50 gardens do not have an identified location. Some images have captions and other information written on them.
Diana Davies photographs
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Milch Gallery records
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
Eleanor Weller collection
The Eleanor Weller Collection dates from circa 1978-2006 and consists of photographic images and research files relating to The Garden Club of America's Slide Library of Notable American Parks and Gardens (later donated to the Smithsonian Institution as The Garden Club of America Collection) and the book, The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940, co-written by Weller and Mac Griswold, as well as thousands of photographic images of historic and contemporary gardens compiled or taken by Weller. Materials include correspondence, research notes, clippings, brochures, lecture scripts, photocopied images from archival repositories, and original and duplicate 35mm slides.
Lois W. Poinier slide collection
Wodell, Helen Page
Cottrell, Lois Page
2,243 Color slides
2.25 Cubic feet
The Lois W. Poinier Collection documents the work of Lois W. Poinier, a self-taught garden designer who designed scores of gardens, most of them in New Jersey.
Anna Margaretta Archambault selected papers
The microfilmed Anna Margaretta Archambault selected papers contain correspondence and papers relating primarily to Archambault's work in miniatures. Omitted from microfilming are photographs of Archambault's sitters and models.