Negatives depict agricultural subjects.,The collection contains 109 4" x 5" glass negatives, 5 5" x 7" glass negatives, 5 5" x 7" film negatives, and 2 6-1/2" x 8-1/2" glass negatives. There are xerographic copies of selected original captions (originals, on enclosures, discarded). Stock file for newspaper and magazine reproduction.
Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.
The collection contains one hundred seventy eight (178) film photonegatives by G. Dwoyid Olmstead in 4 x 5 in. sheet and cut film and 2 1/4 x 2 1/4 in. (#120) rollfilm sizes; the rollfilm negatives are cut apart into either individual frames or double image strips. Most of the photographs were taken in the early 1940s in the Hill District, Pittsbur...
Samuel Yellin was an American master blacksmith. In 1910, he built the Arch Street Metalworker's studio.
The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
The materials document negatives that could not be connected to a specific client. The subjects include art, buildings, and unidentified individuals.
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.12 materials primarily document clients of the Scurlock Studio that were organizations and the images depict those groups' and organizations' activities. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
The collection includes Arthur d'Arazien's professional work in industrial photography from the late 1940's through about 1981; personal creative photography and other types of professional work were retained by Mr. d'Arazien or placed elsewhere. Thus this collection is a very cohesive, unified body of work, which documents primarily American (and...