A collection of photographs, some prints but mostly negatives, documenting the facilities, products and staff of the Dodge Manufacturing Company between 1905 and 1924. There are exterior and interior views of the factory.
A collection of 719 negatives on various subjects relating to the building of the Panama Canal and the U.S. presence there until the late 1930s.
Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.
Twenty glass plate negatives and reference copy prints of the images taken between the late 1880s and the early 1900s by Frances Benjamin Johnston and Thomas W. Smillie. The images depict the skyline of Washington D.C., views from the 1893 World's Fair: Columbian Exposition, blueprints for the Smithsonian Arts and Industries Building, and an unidentified orchestra.
The collection consists of glass plate negatives and photographic prints of the glass plate negatives depicting horse-drawn hearses (funeral wagons), carriages, and ambulances and motorized vehicles produced by James Cunningham, Son and Company from approximately 1908 to 1929. The majority of the glass plates and photographic prints depict horse-drawn hearses, but there are some motorized vehicles.
These records consist of incoming and outgoing correspondence documenting the operation of the Division of Vertebrate Paleontology, circa 1955-1974. Also included are plans of operation, circa 1947-1960; public inquiries for identification of specimens and information; and glass plate negatives which document the field work of Frederick W...
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee. The papers of Hartley H. T. Jackson were received by the Smithsonian Institution Archives in two accessions. The first accession was transferred from the Bird and Mammal Laboratories, United States Department of Interior, in 1973; a...
This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM). Supplementary areas of exhibitions also covered include related symposiums, lectures, and gallery talks. Among those exhibitions covered are "The Bard Brot...
The J. Horace McFarland Collection includes over 3,100 photographic images of private and public gardens throughout the United States, as well as some from foreign countries, dating from 1899 to 1963. Many of these images, generated for Mount Pleasant Press (later the J. Horace McFarland Company), were used to illustrate trade catalogs published by the firm as well as journal and newspaper articles. The collection also contains color records that were used as reference aids during the printing process, plant patents, and various publications of the McFarland Company.