143 records — Page 1 of 15
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Creators:
Archives Center, NMAH, SI.
Physical Sciences, Division of (NMAH, Smithsonian Institution).
Dates:
ca. 1910-1920.
Size:
0.1 Cubic feet
Collection ID:
NMAH.AC.0246
Repository:
Archives Center, National Museum of American History

Collection designated for miscellaneous glass plates, unidentified and/or of unknown provenance. The plates included here are indexed, but additional items may be added to the collection. There are eight plates, both negatives and positives; subjects include a man with cog railway tracks(?), two images of an observatory and two of the moon, and fou...

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Creators:
Miller, Fred E., 1868-1936
Dates:
circa 1898-1910
Size:
2 Linear feet
132 glass plate negatives
65 Photographic prints
145 acetate negatives (copy negatives)
148 contact prints
Collection ID:
NMAI.AC.108
Repository:
National Museum of the American Indian

This collection contains photographs depicting Apsáalooke (Crow/Absaroke) people on the reservation in Montana. The photographs were shot by Fred E. Miller, a Bureau of Indian Affairs clerk circa 1898-1910.

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Creators:
Carlsen, Emil, 1853-1932
Dates:
circa 1885-circa 1930
bulk 1910-1930
Size:
1.6 Linear feet
Collection ID:
AAA.carlemil
Repository:
Archives of American Art

The photographs of Emil Carlsen and the Carlsen family measure 1.6 linear feet and date from circa 1885 to circa 1930, with the bulk from circa 1910 to circa 1920s. Included in this collection are 169 glass plate negatives, black and white copy prints of all glass plate negatives, and four plastic safety negatives. Some descriptive annotations by Emil Carlsen are included.

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Creators:
Baugh Fertilizer Company (Philadelphia, Pennsylvania)
Dates:
1903-1914
Size:
1 Cubic foot (3 boxes)
Collection ID:
NMAH.AC.1098
Repository:
Archives Center, National Museum of American History

This collection consists of glass plate negatives and advertising ephemera created by the Baugh & Sons Company, also known as the Baugh Chemical Company, manufacturers of a variety of agricultural fertilizers from 1855-1963.

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Creators:
Work and Industry, Division of, NMAH, SI
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.
Dodge Manufacturing Co.
Dates:
circa 1910-1924
Size:
38 Cubic feet (222 boxes)
Collection ID:
NMAH.AC.1092
Repository:
Archives Center, National Museum of American History

A collection of photographs, some prints but mostly negatives, documenting the facilities, products and staff of the Dodge Manufacturing Company between 1905 and 1924. There are exterior and interior views of the factory.

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Creators:
Domestic Life, Division of (NMAH, SI).
Dates:
circa 1900
Size:
1 Cubic foot
Collection ID:
NMAH.AC.0292
Repository:
Archives Center, National Museum of American History

Miscellaneous glass photonegatives and lantern slides, originally housed in cardboard plate boxes, some containing newspaper clipping separators with dates as late as 1961. Subjects include a flood in 1911, family photographs and portraits, and buildings, with labels indicating locations such as Chicago, St.Paul, etc. The lantern slides depict art ...

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Creators:
Simons, Amory C. (Amory Coffin), 1869-1959
Dates:
circa 1910-circa 1984
bulk circa 1910-circa 1920s
Size:
0.7 Linear feet
Collection ID:
AAA.simoamoc
Repository:
Archives of American Art

The photographic materials of equestrian sculptor, Amory C. Simons, measure 0.7 linear feet and date from circa 1910 to circa 1984, with the bulk of the material dating from circa 1910 to circa 1920s. The collection includes four letters to Simons, photographic prints, negatives, and glass plate negatives of horses and riders including New York City police and mounted models, and other miscellaneous subjects.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
Rice, Moses P.
More …
Dates:
1900-1949
Size:
16 Boxes
The subseries contains glass plate negatives.
Collection ID:
NMAH.AC.0618.S04.10
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.10 consists of orders placed at the Scurlock Studio. The negatives depict individual portrait sittings and formal group portraits. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Harris, Nancy H.
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 negatives (photographic) (black & white, 8 x 10.5 cm.)
308 lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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Creators:
Jackson, Hartley H. T. (Hartley Harrad Thompson), 1881-1976
Dates:
circa 1883-1976
Size:
10.34 cu. ft. (19 document boxes) (1 16x20 box) (1 3x5 box)
Collection ID:
Record Unit 7172
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee. The papers of Hartley H. T. Jackson were received by the Smithsonian Institution Archives in two accessions. The first accession was transferred from the Bird and Mammal Laboratories, United States Department of Interior, in 1973; a...

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143 records — Page 1 of 15