44 records — Page 1 of 5
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Creators:
Pierpont Morgan Library
Dates:
1682-1953
Size:
300 Items ((on 1 microfilm reel))
Collection ID:
AAA.piermorg
Repository:
Archives of American Art

Letters and documents relating to American Art from the 17th to the 20th centuries; a sketchbook of William Merritt Chase; and autographed notes and sketches of Robert Fulton and Thomas Nast. Artists and individuals represented in the collection include: Antonio Canova, John Singleton Copley, Charles Dana Gibson, Winslow Homer, John La Farge, Isabe...

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Creators:
Harper & Brothers.. Art Dept
Dates:
1851-1895
Size:
3 Reels (ca. 700 items (on 3 microfilm reels))
Collection ID:
AAA.harpbrot
Repository:
Archives of American Art

Letters from artists and writers to HARPER'S MAGAZINE dealing with late nineteenth-century illustrations and articles for that publication. A separate group concerns Whistler's suit against Harper and Brothers for its alleged libel in DuMauriers's TRILBY, and another comprises eighteen James Jackson Jarves letters, 1853-1855, on his articles. Some ...

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Creators:
Bailey, Vernon Howe, 1874-1953
Dates:
[ca. 1933]
Size:
91 Items ((on partial microfilm reel))
Collection ID:
AAA.bailvhph
Repository:
Archives of American Art

Photographs of Bailey's watercolors and drawings of the Vatican, ca. 1933; and one photograph of Bailey at work at the Vatican.

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Creators:
Davis, Stuart, 1892-1964
Dates:
1934-1940
Size:
0.8 Linear feet
Collection ID:
AAA.davistua
Repository:
Archives of American Art

The papers of painter Stuart Davis measure 0.8 linear feet and date from 1934 to 1940. The collection is comprised of correspondence that includes letters from Yasuo Kuniyoshi, Arnold Blanch, Rockwell Kent, and others regarding Pablo Picasso's statement against the fascist dictatorship in Spain, as well as a letter from Davis to Picasso inviting him to speak at the 2nd Annual American Artists' Congress meeting. Also found are files from Davis's position as editor of Art Front magazine; membership files documenting Davis's activities with the American Artists' Congress, Fine Arts Federation of New York, the New York World's Fair Artists Committee, and other organizations; printed materials; a project file for the Federal Art Project; and editorials. Additional items include an article manuscript and a draft of a letter to Ben Shahn suggesting that Downtown Gallery artists provide funding to Edith Halpert in order to open another gallery.

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Creators:
Mowbray, H. Siddons (Harry Siddons), 1858-1928
Dates:
1872-1976
Size:
7.5 Linear feet
Collection ID:
AAA.mowbharr
Repository:
Archives of American Art

The papers of painter and muralist Harry Siddons Mowbray (1858-1928) and the Mowbray family measure 7.5 linear feet and date from 1872 to 1976. The papers document Mowbray's career as a painter and decorative muralist as well as his activities with the Commission of Fine Arts, the American Academy in Rome, and the Sculpture Commission of Connecticut. The papers include biographical materials, scattered correspondence, nineteen diaries, personal business records, commission files, organization files, writings and notes, printed materials, three scrapbooks, photographs, and artworks. There are scattered family papers of Helen Mowbray, Florence Mowbray, George Mowbray, and George Siddons Mowbray.

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Creators:
Marsh, Reginald, 1898-1954
Dates:
1897-1955
Size:
9.3 Linear feet
Collection ID:
AAA.marsregi
Repository:
Archives of American Art

The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.

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Creators:
Ivins, William Mills, 1881-1961
Dates:
1878-1964
Size:
20.5 Linear feet
Collection ID:
AAA.ivinwill
Repository:
Archives of American Art

The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Also found are Ivins' published and unpublished writings and lectures, and notes. The collection contains some Ivins' family papers including family correspondence, genealogies, and photographs.

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Creators:
Pierre Matisse Gallery (New York, N.Y.)
Dates:
1925-1989
Size:
300 Items (Reel NPM1: (on partial microfilm reel))
1.25 Linear feet (Unmicrofilmed)
Collection ID:
AAA.piermati
Repository:
Archives of American Art

REEL NPM1: Catalogs of Pierre Matisse Gallery exhibitions, 1931-1945; photographs of exhibitions interspersed among the catalogs; and a scrapbook containing clippings and reviews of shows at the gallery.

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Creators:
Curtis, Edward S., 1868-1952
Dates:
circa 1895-2001
bulk 1898-1951
Size:
86 Linear feet
Collection ID:
NAA.2010-28
Repository:
National Anthropological Archives

The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...

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Creators:
Manship, Paul, 1885-1966
Dates:
1956 Oct. 9-31
Size:
70 Pages (Transcript)
Collection ID:
AAA.manspaul2
Repository:
Archives of American Art

An interview of Manship conducted by the Columbia University Oral History Research Office, New York City. Manship recalls his family background and growing up in Jackson, Mississippi; his early art education; working as a studio assistant for Solon Borglum and later Isidore Konti; studying animal anatomy with Borglum; his trip to Spain with Hunt Di...

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44 records — Page 1 of 5