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- Creators:
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Feraca, Stephen E., 1934-
- Dates:
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circa 1954-1961
- Size:
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85 Copy color slides
- Collection ID:
- NAA.PhotoLot.R92-49
- Repository:
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National Anthropological Archives
Copies of photographs mostly depicting Sun Dances on the Pine Ridge and Rosebud Indian Reservations. They depict Oglala, Dakota, and other Siouan Indians, encampments, wagons, tipis, and a powwow.
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- Creators:
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Buechel, Eugene
- Dates:
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circa 1902-1905, 1920s-1940s, 1960s
- Size:
-
3,800 Copy prints (circa, black and white)
- Collection ID:
- NAA.PhotoLot.R74-10
- Repository:
-
National Anthropological Archives
Copy photographs depicting buildings, farms, Dakota Indians, and mission school activities in and around the St. Francis Mission on the Rosebud Reservation. The majority of the photographs were made by Eugene Buechel, a Jesuit who served at St. Francis and Holy Rosary missions. The collection also includes some photographs by Fr. Salvatore Gentile ...
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- Creators:
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Brooke, John Rutter, 1838-1926
- Dates:
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circa 1867-1891
- Size:
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17 Mounted prints (albumen)
- Collection ID:
- NAA.PhotoLot.4599
- Repository:
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National Anthropological Archives
Photographs mostly made by William S. Soule and George E. Trager, and probably acquired by John Rutter Brooke while stationed with the US Army at Camp Supply (circa 1873) and the Department of the Platte (1888-1895). Photographs by William S. Soule document life at Camp Supply, depicting Arapaho people (including Chief Powder Face), tipis and enca...
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- Creators:
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Mekeel, H. Scudder (Haviland Scudder), 1902-1947
- Dates:
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bulk 1930-1933
circa 1920-1947
- Size:
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1 Print (photochrom)
443 Negatives (nitrate)
235 Prints (silver gelatin)
- Collection ID:
- NAA.PhotoLot.94-21
- Repository:
-
National Anthropological Archives
The photographs primarily document ceremonies, people, and lands of Native Americans in the Plains and Southwest, taken during Mekeel's field research from 1929 to 1936. A large portion of the collection depicts Mekeel's research during the early 1930s among the Oglala of the Pine Ridge Reservation in South Dakota. Another large portion of the coll...
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- Creators:
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Jennerson, Horace G.
Bratley, J. H. (Jesse H.)
- Dates:
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bulk circa 1887-1902
circa 1887-1940
- Size:
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1 Linear foot
28 Glass plate negatives
30 Photographic prints
- Collection ID:
- NMAI.AC.224
- Repository:
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National Museum of the American Indian
This collection contains photographs was shot circa 1887-1899 by Jesse Hasting Bratley and Horace G. Jennerson while they served as teachers on the Rosebud and Pine Ridge Reservations.
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- Creators:
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Tietgens, Rolf
- Dates:
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1933-1934
1940-1944
- Size:
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47 Photographic prints
- Collection ID:
- NMAI.AC.336
- Repository:
-
National Museum of the American Indian
This collection includes 47 photographic prints made by German born photographer Rolf Tietgens in 1933-1934 and 1940-1944 on the Pine Ridge Reservation in South Dakota and in various locations across Arizona and New Mexico. Communities photographed in South Dakota include the Oglala Lakota (Oglala Sioux) and Sicangu Lakota (Brulé Sioux). Communities photographed in Arizona and New Mexico include—Laguna Pueblo, K'apovi (Santa Clara Pueblo), Diné (Navajo), Tesuque Pueblo, Hopi Pueblo, Taos Pueblo and Apache.
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- Creators:
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Pearse-Hocker, Anne
- Dates:
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1970-1973
- Size:
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54 Contact sheets (black and white)
35 mm. (black and white, 8 x 10 in.)
- Collection ID:
- NMAI.AC.028
- Repository:
-
National Museum of the American Indian
The majority of Pearse-Hocker's momentous negatives give eyewitness account to two weeks of both the mundane and brutal reality of daily life during the 1973 occupation of Wounded Knee on the Pine Ridge Indian Reservation in Pine Ridge, South Dakota. The takeover of the town and the conflict between about 200 members of AIM (American Indian Movement, the Native American civil rights activist organization begun in the 1968) and the United States Marshals Service began on February 27 and lasted for 71 days, resulting in tragedy on both sides of the conflict. Members of AIM along with some local Oglala (Lakota) Sioux from the local reservation took over the town in protest against the United States Government's history of broken treaties with various Native groups, the poverty and maltreatment of Native populations, as well as in defiance against the corruption and paternalism within the local subsidiary of the BIA (Bureau of Indian Affairs). The siege finally came to an end on May 5 when members of AIM and the assistant attorney general for the Civil Division of the US Justice Department Harlington Wood Jr. settled on a ceasefire. Kent Frizzell served as Chief Government Negotiator in the capacity of Assistant Attorney General (Land and Natural Resources Division, U. S. Department of Justice) and later as Solicitor, U. S. Department of the Interior. Among those pictured both during and post-conflict are AIM activists Dennis Banks, Clyde and Vernon Bellecourt, Ted and Russell Means, Frank Clearwater, Wallace Black Elk and Anna Mae Pictou Aquash. A small number of negatives also document AIM's takeover of the BIA building and the AIM Powwow both in Minneapolis in 1970.
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- Creators:
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Post, Marjorie Merriweather
- Dates:
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undated
- Size:
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2 Lithographs
1 Postcard
1 Engraving
1 Print (mounted in frame)
1 newspaper clipping in frame made from squirrel
9 Prints (silver gelatin)
- Collection ID:
- NAA.PhotoLot.75-46
- Repository:
-
National Anthropological Archives
Photographs collected by Marjorie Meriweather Post relating to NAtive Americans. They include images of Post's home at Camp Topridge, Geronimo, Buffalo Bill Cody, Native chiefs and US officials at Pine Ridge in 1891, and Princess Angeline, daughter of Chief Seattle. Additionally, there are lithographs of Caa-tou-see and Shin-Ga-Ba-Wossinis, and a...
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- Creators:
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Tilton, Willis G.
- Dates:
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circa 1880-1930
bulk 1899-1904
- Size:
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685 Negatives (circa, glass and nitrate)
- Collection ID:
- NAA.PhotoLot.89-8
- Repository:
-
National Anthropological Archives
Photographs collected by Willis G. Tilton, a dealer in artifacts and photographs relating to Native Americans. Many of the photographs were made by Field Columbian Museum photographer Charles Carpenter at the Louisiana Purchase Exposition in 1904; many others were created by various photographers for Field Museum publications. Notable subjects in...
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- Creators:
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Allen, George V.
- Dates:
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circa 1860-1935
- Size:
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67 Lantern slides
26 Negatives (glass)
10 Negatives (nitrate)
6 Autochromes (photographs)
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
- Collection ID:
- NAA.PhotoLot.90-1
- Repository:
-
National Anthropological Archives
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, clif...
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