Oral history interview with Marianna Pineda
Brown, Robert F.
51 Pages (Transcript)
Interview of Marianna Pineda, conducted by Robert Brown for the Archives of American Art, Smithsonian Institution, in Brookline, Massachusetts, on June 14 and May 26, 1977.
Marianna Pineda papers
The papers of sculptor and educator Marianna Pineda (1925-1996) date from 1943-1998 and measure 3.7 linear feet and 0.001 GB. The collection documents Pineda's career through biographical material, correspondence, exhibition files, project files, personal business records, printed and digital material, photographs, and some audiovisual material.
Harold Tovish papers
27 Items (Reel 5281)
Biographical material; correspondence, including letters from artists, galleries, museum officials, universities and others, and copies of letters from Tovish to his family, editors, students, and others; manuscripts for lectures; art school course assignments; project files; exhibition announcements and catalogs, 1942-1993 and price lists and checklists for exhibitions, 1974-1986; clippings of reviews, interviews …
Oral history interview with Harold Tovish
Brown, Robert F.
94 Pages (Transcript)
Interview of Harold Tovish, conducted by Robert F. Brown for the Archives of American Art, Smithsonian Institution on November 13, 1997 at his home and studio in Boston, Massachusetts.
Swetzoff Gallery Records
The records of the Boston, Massachusetts Swetzoff Gallery measure 18.6 linear feet and date from 1941 to 1968. Materials include administrative files, scattered general correspondence, named files, exhibition files, financial records, printed material, a scrapbook of printed material, photographs, and the personal papers of Hyman Swetzoff.
American Federation of Arts records
The records of the American Federation of Arts (AFA) provide researchers with a complete set of documentation focusing on the founding and history of the organization from its inception through the 1960s. The collection measures 79.8 linear feet, and dates from 1895 through 1993, although the bulk of the material falls between 1909 and 1969. Valuable for its coverage of twentieth-century American art history, the collection also provides researchers with fairly comprehensive documentation of the many exhibitions and programs supported and implemented by the AFA to promote and study contemporary American art, both nationally and abroad.