7 records — Page 1 of 1
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Creators:
Shebairo, Richard
Dates:
1983-1986
Size:
0.02 Linear feet
Collection ID:
AAA.shebrich
Repository:
Archives of American Art

Mail art from Edward M. Plunkett to Richard Shebairo measures 0.02 linear feet and date from 1983-1986, including letters, rubber-stamped envelopes, newspaper clippings, perforated faux postage stamps, several handmade booklets and rubber stamped communications, an unopened letter to Plunkett, which he altered with rubber stamps and signed "EMP 84." Also included is a 3x5 inch memo book inscribed "to Richard April 1, 1985 E M Plunkett," containing rubber-stamp narratives. Correspondence relates to accounting tasks and materials, accompanied with mentions of Plunkett's enclosed mail art.

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Creators:
Plunkett, Edward M. (1922-2011)
Dates:
circa 1900-2006
Size:
4.2 Linear feet
Collection ID:
AAA.plunedwar
Repository:
Archives of American Art

Edward Plunkett papers measure 4.2 linear feet and date from circa 1900-2006. Biographical material includes a hand-written biography, identification cards including a United States passport, and a series of autobiographical essays written by Plunkett in his later years at a retirement community in Madison, Wisconsin. The correspondence series is comprised heavily of mail art sent to Plunkett correspondents including Robert Delford Brown, Russell Butler (a.k.a. buZ blurr), Anna Banana, Buster Cleveland, Crackerjack Kid, Ken Friedman, John Held, Jr., E. F. Higgins III, Ray Johnson, Tim Mancusi, Carlo Pittore, May Wilson, William Wilson, and W. S. Stipe. The printed material series includes editioned mail art publications including Collective Farm, No. 3, Post-Office Dinner, 1982 (number 15/100), and unused source material for his mail and collage art. The photographic material series consists of some images of Plunkett, his earlier, more traditional artworks, and snapshots from his travels. The artwork series consists of traditional drawings, paintings, and collages on paper, in addition to a number of altered published books, miniature booklets, and collaged notebooks in various states of being finished. Many of the interleaved notebooks have not been glued to the paper.

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Creators:
Evans, John, 1932-
Dates:
1957-2012
bulk 1970-2012
Size:
7.1 Linear feet
1 Gigabyte
Collection ID:
AAA.evanjohn
Repository:
Archives of American Art

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.

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Creators:
Lanyon, Ellen
Dates:
circa 1880-2015
bulk 1926-2013
Size:
62.6 Linear feet
84.47 Gigabytes
Collection ID:
AAA.lanyelle
Repository:
Archives of American Art

The papers of artist Ellen Lanyon measure 62.6 linear feet and 84.47 GB and date from circa 1880-2015, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and digital material, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.

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Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 5, 1992
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1992
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
James Graham & Sons
Dates:
1821
1815
circa 1896-2011
Size:
103.2 Linear feet
Collection ID:
AAA.jamegras
Repository:
Archives of American Art

The records of the New York City gallery James Graham & Sons measure 103.2 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.. There is a 8.0 linear foot unprocessed addition to this collection donated in 2018 that includes artists' files regarding exhibitions and photographs of works of art.

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7 records — Page 1 of 1