42 records — Page 1 of 5
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Creators:
Englehardt, Zephyrin
Dates:
August, 1890
Size:
65 Pages
Collection ID:
NAA.MS545
Repository:
National Anthropological Archives

In Schedule of John Wesley Powell's Introduction to the Study of Indian Languages.

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Creators:
McLendon, Sally (collector and photographer)
Dates:
undated
Size:
43 Copy prints
Collection ID:
NAA.PhotoLot.R82-4
Repository:
National Anthropological Archives

Copies of photographs depicting Pomo Indians, including formal and informal portraits and views of gatherings for a feast and other ceremonies.

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Creators:
Powers, Stephen, 1840-1904
Usaka
Kekhhoal
Dates:
ca. 1877
Size:
2 Pages
Collection ID:
NAA.MS1326
Repository:
National Anthropological Archives

Contents: Religious Song of the Ballo-Kai-Pomo. Dancing Song of the Ballo-Kai-Pomo, Potter Valley. Acorn Song, (Huchnom) [Yukian], sung by Usaka, a woman. Song of the Huchnom, Sung by old Kekhhoal (blind). Dancing Song of the Karok, Klamath River. Konkau [Maiduan] Dancing Song.

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Creators:
Henshaw, Henry W. (Henry Wetherbee), 1850-1930
Dates:
October 25, 1892
Size:
73 Pages
Collection ID:
NAA.MS864
Repository:
National Anthropological Archives

In Powell's Introductory volume. Partly filled.

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Creators:
Gibbs, George, 1815-1873
Dates:
undated
Size:
1 Page
Collection ID:
NAA.MS857C
Repository:
National Anthropological Archives

Typed transcript of Gibbs' notes and comments on them by Catherine Callaghan filed with the Manuscript, 6/1962. Notes on the names of the tribes mentioned by Gibbs made by A.R. Pilling and filed with the Manuscript, 8/1970.

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Creators:
Taylor, Colin ?
Dates:
1950's
Size:
19 Items (photos )
Collection ID:
NAA.MS4861
Repository:
National Anthropological Archives

Relate to museum specimens, mainly 19th century, including: 7 Dakota headdresses, 1 Eastern Woodlands headdress, 1 Arapaho headdress, 3 Blackfoot headdresses and 1 shirt, 5 Plains headdresses, 1 Pomo (?) headdress, and 1 Delaware headdress, photographed presumably by Taylor from collections at Cambridge Museum of Ethnology and Archaeology, Oxford P...

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Creators:
Siegriest, 1899-1989
United States. Works Progress Administration
Dates:
1939
Size:
7 Posters
Collection ID:
NAA.MS4883
Repository:
National Anthropological Archives

Titles: "Antelope Hunt from a Navaho Drawing, New Mexico;" "Pomo Indian Basket, California;" "Apache Devil Dancer from an Indian Painting, Arizona;" "Pueblo Turtle Dancers from an Indian Painting, New Mexico;" "Eskimo Mask, Western Alaska;" "Blanket Design of the Haida Indians, Alaska;" and "From an Indian Painting on Elkskin, Great Plains."

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Creators:
ANONYMOUS
Dates:
undated
Collection ID:
NAA.MS2398
Repository:
National Anthropological Archives

Old Se-nel' was settlement in Potter County, California.

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Creators:
Nicholson, Grace, -1948
Museum of the American Indian, Heye Foundation
Dates:
1905-1930
Size:
374 Photographic prints
38 Copy negatives
Collection ID:
NMAI.AC.001.039
Repository:
National Museum of the American Indian

This collection contains 374 photographic prints and 38 copy negatives made by Grace Nicholson, a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The majority of the photographs were made between 1910 and 1930 among various native communities in California, though there are smaller amounts of photographs in Arizona and New Mexico. Communities photographed include—Hupa, Yurok, Pomo, Karuk (Karok), Tolowa, Yokayo Pomo, Achomawi (Pit River), Atsugewi (Hat Creek), Hopi Pueblo, Kumeyaay (Digueno), Mojave (Mohave), Paiute, Taos Pueblo, Wintu, Acoma Pueblo, Maidu, Chukchansi Yokuts, Yokuts.

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Creators:
Brusseaux, Eugene
Dates:
between 1900-1905
Size:
35 negatives (photographic) (black & white, 6 x 7 cm.)
354 photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Collection ID:
EEPA.1999-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris. The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends. The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

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42 records — Page 1 of 5