TThe Rackstraw Downes research material concerning Fairfield Porter measure 1.0 linear foot and date from 1962 to 2000, with the bulk of the material dating from 1970-1979. Downes used the material to compile, edit and write the introduction to Fairfield Porter: Art In Its Own Terms - Selected Criticism 1935-1975 published in 1979. Research materials include articles about Porter, exhibition catalogs, photocopies of letters and some original correspondence, theses and manuscripts. Also included are project files for the publication of Art In Its Own Terms.
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 8.2 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.
The Joan Ludman papers relating to Fairfield Porter measure 4.2 linear feet and are dated circa 1910-2003, bulk 1976-2001. The papers primarily document her research for Fairfield Porter: A Catalogue Raisonné of his Prints (1981) and Fairfield Porter: A Catalogue Raisonné of the Paintings, Watercolors, and Pastels (2001). There are records concerning "Prints by Fairfield Porter from the Lauris and Daniel J. Mason Collection," a traveling exhibition organized by Ludman. Also found are Ludman's records concerning her authentications of Porter's artwork, and general printed material about Porter. Photographs are of Porter and his work. A 2015 addition includes provenance forms sent to Ludman from artwork owners.
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. There are scattered biographical documents, correspondence with fellow artists such as Peggy Bacon, Warren Chappell, Edward Laning, and R. B. Kitaj, and with writers, curators, museums, galleries, arts organizations, and others. Also found are arts organization files, Bishop's writings about Warren Chappell and friend Reginald Marsh, notes, exhibition catalogs, news clippings, and other printed material, photographs of Bishop and her artwork, and photographs of Reginald and Felicia Marsh. Original artwork includes 8 sketchbooks, loose sketches, prints, and watercolor figure studies.
The John Button letters to Gerald L. Fabian measure 0.6 linear feet and date from 1950 to 1982. The collection consists primarily of correspondence from painter John Button to Gerald Fabian. Also included are letters from Fabian to Button, as well as printed material.
The records of the New York Tibor de Nagy Gallery measure 44.7 linear feet and date from 1941-2016. The records document the activities of the gallery through business records and correspondence, exhibition files, artist files, financial and legal records, inventory records, a small amount of records of the Houston Branch, and exhibition announcem...
The Archives would like to thank Frederick J. Collier and Martin A. Buzas for their assistance in the transfer of these records to the Archives.
The John Bernard Myers papers span the period circa 1940s to 1987, bulk 1970-1987. The collection measures 2.0 linear feet and documents Myers's work as a writer, editor, and gallery director, and includes correspondence, writings, printed material, and photographs.
These records consist of insurance records, art condition reports, facility condition reports, shipping documents and invoices, and photographs, as well as pamphlets and catalogs.
The Skowhegan School of Painting and Sculpture records measure 33.4 linear feet and date from 1945 to 2013. The paper records of the school document the period from circa 1945 to 1977 and consist of administrative records, financial records, visiting artist files, faculty files, student files, and photographic material. Also included are motion picture films by Jack Eastman and Karl Fortess, dating from circa 1955 and 1970, showing the school, artists, and students. A large portion of the collection consists of the Skowhegan Lecture Archives, a sound recording archive of lectures given by artists speaking at the school between 1952 and 2013.