James Wells Champney collection
Correspondence; diaries; lists of paintings, bills, and receipts; sketchbook and sketches; clippings; tintype photograph; and printed material.
Selected papers from the Peale-Sellers collection
Autobiographical and biographical material, letters, writings, printed material, photographs, a sketchbook, drawings and notebooks belonging to Charles Willson Peale and the Peale family, with notes and writings by Horace Wells Sellers.
Rosenthal Collection of Drawings by American Artists inventory
A 27 page inventory of drawings and sketchbooks by American artists in the Rosenthal Collection in the Free Library of Philadelphia's Prints Department. The inventory lists artists, their dates, and titles of works in the collection donated by Albert Rosenthal.
This accession consists of records that pertain to eight exhibitions which the Office of Exhibitions organized between 1983 and 1991. The bulk of the records includes correspondence between the National Portrait Gallery (NPG) Director, Alan Fern, and various national and international museum institutions, donors, art galleries, archives, various municipal and state historical …
Ednah Dow Littlehale Cheney papers relating to Seth Wells Cheney and John Cheney
Papers gathered by Ednah Cheney, wife of Seth Wells Cheney, for her memoirs of the two brothers, Seth and John Cheney, prominent 19th century engravers, composed of correspondence, clippings, notes, lists, a diary, and family photographs.
Milch Gallery records
The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.
This accession consists of records documenting exhibitions produced by the Office of Exhibits Central (OEC) for various Smithsonian Institution units. Exhibitions documented in this accession include Speak to My Heart: Communities of Faith and Contemporary African American Life; Caribbean Visions: Contemporary Paintings and Sculpture; In Search of Balance: The Artist …
Emmet family papers
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Charles C. Perkins papers
Sketches, watercolors, sketchbook, a photograph and an illustrated journal.
Research material on George Peter Alexander Healy
Correspondence, writings, drawings and printed material by or about G.P.A. Healy, compiled by his grandaughter, Marie De Mare, in the process of the writing of her book G.P.A. HEALY, AMERICAN ARTIST (1954).