The William J. Powell Collection consists of materials concerning the career and personal life of African-American entrepreneur and pilot William J. Powell, including his service in the American Expeditionary Forces (AEF) in World War I, his automobile business in Chicago, and his advocacy for African-American aviation as the founder of Craftsmen of Black Wings, Inc., author of Black Wings, and a primary organizer of the Bessie Coleman Aero Club and the "Five Blackbirds" demonstration team. Materials include identification and membership cards, flight logs and officer records, newspaper clippings, advertisements, and photographs.

This collection consists of 9 copy prints and 14 copy negatives. The bulk of the images were copied from issues of Craftsmen Aero News and relate to the Craftsmen of Black Wings organization, including photographs of William J. Powell, Marie Dickerson, and Myrtle Bishop.

Relates to the Thompson Lytton liturgy. ("The Thompson-Lytton Liturgy" or "The Black Manuscript of the Ne Kla Kapa nuk"). Apparently this was a translation by Reverend Good of the Christian liturgy into the language of the Thompson River Indians. It was contained in a book with black covers. MCB 9/22/54. The manuscript was returned to Mr. Good in ...

Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander...

Photograph albums prepared by the Bureau of American Ethnology or the photographic lab, possibly for reference purposes by staff. The use of such albums has been mentioned by BAE photographer De Lancey W. Gill. The albums contain photographs made from the Bureau of American Ethnology's collection of negatives, documenting Apache, Arapaho, Assiniboi...

William Duncan Strong's early interest was in zoology, but, while an undergraduate at the University of California, he was brought into anthropology under the influence of Alfred Louis Kroeber. He conducted archaeological and ethnological field research in several areas of the New World and was the first professionally trained archaeologist to focus on the Great Plains, where he applied the so-called direct historical method, working from known history in interpreting archaeological sites. Strong's papers include correspondence, field notes, diaries, newspaper clippings, teaching notes and student papers, manuscripts of his writings, writings by other authors, papers from the various organizations in which he served, maps, and a considerable number of photographs from his field work. The materials date from 1902 to 1965, with most of the materials being from 1927 to 1955.

The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other str...

Photographs relating to American Indian or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff...

The personal papers of Charles Lang Freer, the industrialist and art collector who founded the Freer Gallery of Art. The papers include correspondence, diaries, art inventories, scrapbooks of clippings on James McNeil Whistler and other press clippings, and photographs.

The papers of painter, illustrator, muralist, and political activist William Gropper measure 3.3 linear feet and date from 1916-1983. Almost one-half of the collection consists of printed materials, including full issues of New Masses, Liberator, and Der Hammer, all featuring illustrations by Gropper. Circa 600 letters include those written to Gropper by Frank Crowninshield, Robert Henri, Louis Lozowick, Raphael Soyer, and others. Also found are photographs of Gropper, his family, colleagues, and friends, as well as scattered writings and notes, business records, biographical information, three drawings, and a fabric sample designed by Gropper.