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- Creators:
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National Portrait Gallery, Office of Exhibitions
- Dates:
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1970-1990
- Size:
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7 cu. ft. (7 record storage boxes)
- Collection ID:
- Accession 93-051
- Repository:
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Smithsonian Institution Archives
These records document the various exhibitions that were shown at the National Portrait Gallery (NPG) between 1973 and 1988, such as "Return to Albion: Americans in England, 1760-1940," "The Art of Henry Inman," "The Artist's Mother: Portraits and Homages," "Robert Edge Pine: A British Portrait Painter in America, 1784-1788," "Masterpieces ...
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- Creators:
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National Portrait Gallery, Office of Publications
- Dates:
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1965-1999
- Size:
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6 cu. ft. (6 record storage boxes)
- Collection ID:
- Accession 01-011
- Repository:
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Smithsonian Institution Archives
This collection consists of exhibition catalogs (both traveling and in-house), brochures, pamphlets, illustrated checklists, and other publications created around a specific themes or genres drawn from the collections in the National Portrait Gallery.
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Exhibition Records
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- Creators:
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National Portrait Gallery, Office of Exhibitions
- Dates:
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circa 1968-1976
- Size:
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3.6 linear meters.
- Collection ID:
- Record Unit 361
- Repository:
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Smithsonian Institution Archives
Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and ...
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- Creators:
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Neiman, LeRoy, 1921-2012
- Dates:
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1938-2005
- Size:
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70.5 Linear feet
- Collection ID:
- AAA.neimlero
- Repository:
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Archives of American Art
The papers of LeRoy Neiman measure approximately 70.5 linear feet and date from 1938-2005. The collection includes biographical materials, correspondence, project files, printed material and artifacts documenting the career of the American painter LeRoy Neiman.
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- Creators:
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Blue Eagle, Acee, 1907-1959
- Dates:
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1907 - 1975
- Size:
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673 paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
- Collection ID:
- NAA.1973-51
- Repository:
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National Anthropological Archives
Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.
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- Creators:
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United Telegraph Workers.
Western Union Telegraph Company
- Dates:
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circa 1820-1995
- Size:
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452 Cubic feet (869 boxes and 21 oversize folders)
- Collection ID:
- NMAH.AC.0205
- Repository:
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Archives Center, National Museum of American History
The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.
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- Creators:
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Leo Castelli Gallery
- Dates:
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circa 1880-2000
bulk 1957-1999
- Size:
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215.9 Linear feet
- Collection ID:
- AAA.leocast
- Repository:
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Archives of American Art
The Leo Castelli Gallery records measure 215.9 linear feet and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.
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- Creators:
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Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More … - Dates:
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1925-1993
- Size:
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19 Boxes
The subseries contains black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.11
- Repository:
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Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
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- Creators:
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National Collection of Fine Arts. Office of the Director
- Dates:
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1912-1965
- Size:
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28.5 cu. ft. (57 document boxes)
- Collection ID:
- Record Unit 312
- Repository:
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Smithsonian Institution Archives
Record Unit 312 was transferred from the National Museum of American Art (NMAA) Archives to the Smithsonian Institution Archives in October 1984. The NMAA Archives, which was created in January 1975, and located in the Fine Arts and Portrait Gallery Building, came under the daily administration of the NMAA, with technical supervision and ...
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- Creators:
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Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
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1929-1989
- Size:
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87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records