71 records — Page 1 of 8
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Creators:
Powers, Hiram, 1805-1873
Dates:
1819-1953
bulk 1835-1883
Size:
12.4 Linear feet
Collection ID:
AAA.powehira
Repository:
Archives of American Art

The papers of sculptor Hiram Powers measure 12.4 linear feet and date from 1819 to 1953, with the bulk of the material dating from 1835 to 1883. Over two-thirds of the collection consists of Powers' correspondence with business associates, purchasers of his artwork, and numerous friends in the United States and Florence, Italy. Of note is Powers' "Studio Memorandum," from 1841 to 1845, which contains dated notations of letters written, receipts and expenditures, business contacts, works in progress, commissions and price quotations for work, comments on problems encountered during studio work, and other notes. Additional papers include scattered biographical material, financial and legal records, printed materials, photographs of Powers, his family, artwork, as well as an extensive collection of carte de visite and cabinet card portraits of many notable figures. Also found is a small amount of artwork by Powers and others, a scrapbook, and two autograph and memorabilia albums.

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Creators:
Eaton, Charles James Madison, 1808-1893
Powers, Hiram, 1805-1873
Dates:
1845-1867
Size:
21 Items ((on partial microfilm reel))
Collection ID:
AAA.eatochar
Repository:
Archives of American Art

Nineteen letters from Hiram Powers in Florence to Eaton, 1845-1867, concerning: the future of the Fine Arts in America; sculpture for the Capitol building; government patronage and politics; his commissions for portrait busts and ideal figures; his biographer, C.E. Lester, whom Powers rejects as "a scroundrel capable of any amount of falsehood"; th...

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Creators:
Claghorn, James Lawrence, 1817-1884
Dates:
1849-1882
Size:
0.8 Linear feet
Collection ID:
AAA.clagjame
Repository:
Archives of American Art

Letters (1849-1856), business records (1849-1856), a visitors' register (1873-1885), and a scrapbook (ca. 1866-1885) concern the acquisition of paintings and prints for Claghorn's collection.

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Creators:
La Flesche, Francis, 1857-1932
Fletcher, Alice C. (Alice Cunningham), 1838-1923
Dates:
1873-1939
Size:
19 Linear feet (50 boxes)
Collection ID:
NAA.MS4558
Repository:
National Anthropological Archives

These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.

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Creators:
Nordness, Lee
Dates:
circa 1931-1992
bulk 1954-1984
Size:
117.5 Linear feet (Boxes 1-121)
Collection ID:
AAA.nordlee
Repository:
Archives of American Art

The Lee Nordness business records and papers measure 117.5 linear feet and date from circa 1931 to 1992 with the bulk of materials dating from 1954 to 1984. The records document seven New York City art-related companies with which Nordness was involved: Talent Discovery Company, The Little Studio, Ltd., American Art Expositions, Inc., Nordness Gallery, Inc., Lee Nordness Galleries Art Advisory Section, Inc., Lee Nordness Galleries Exhibition Section, Inc., and Forms & Objects, Inc. Records include correspondence, artist's files, business and legal records, inventories, financial and sales records, printed materials, scrapbooks, and photographic materials. Also found is a small group of personal papers.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1786-1971
Size:
9.93 Cubic feet (consisting of 21 boxes, 9 folders, 12 oversize folders, 3 map case folders, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Agriculture
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Agriculture forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1792-1952
Size:
4.71 Cubic feet (consisting of 9 boxes, 5 folders, 13 oversize folders, 1 map case folder, 3 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Furniture
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Furniture and Furnishings forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1831-1981
Size:
9.87 Cubic feet (consisting of 21 boxes, 1 folder, 13 oversize folders, 7 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Seed
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Seed Industry and Trade forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Arden, Juliette
Dates:
1884-1950
Size:
1.4 Cubic feet (4 vertical boxes, 1 flat oversize box)
Collection ID:
NMAH.AC.0285
Repository:
Archives Center, National Museum of American History

This collection includes papers that were important to Henry, Henry B. and Juliette Arden. There is some confusion caused by the names of father and son. Juliette referred to her father as Henry, never as Harry or Henry B. Early patents, granted before his death in 1912 may have been granted to the father. All documents or correspondence later than...

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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71 records — Page 1 of 8