121 records — Page 1 of 13
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Creators:
Neufeld, Michael J., 1951-
Dates:
bulk 2012-2015
Size:
0.39 Cubic feet ((1 box))
Collection ID:
NASM.2015.0016
Repository:
National Air and Space Museum Archives

This collection consists of digital audio files of oral history interviews conducted by Dr. Michael Neufeld. Persons interviewed include: Andrew Cheng; Glen Fountain; Stamatios Krimigis; Margaret Easter; Louis Friedman; Humphrey "Hoppy" Price; Christopher Salvo; Anthony Spear; Robert Staehle; Douglas Stetson; Richard Terrile; Stacy Weinstein-Weiss;...

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Creators:
Oakes, Edward Everett, 1891-1960
Dates:
[undated] and 1915-1960
Size:
2 Reels (ca. 500 items (on 2 microfilm reels))
Collection ID:
AAA.oakeedwa
Repository:
Archives of American Art

Correspondence, writings, sketches, financial and business records, photographs and printed material.

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Creators:
Wise, Brownie Humphrey, 1913-1991
Dates:
circa 1928-1968
Size:
27 sound recordings
15 Cubic feet (26 boxes, 7 folders)
Collection ID:
NMAH.AC.0509
Repository:
Archives Center, National Museum of American History

The papers consist of business records documenting the history of Tupperware from 1951-1958, during which Brownie Wise served as vice president of the Tupperware Company. Also, personal papers and business records documenting her marketing activities for Stanley Home Products, Vivian Woodard Cosmetics, and others.

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Creators:
Ferargil Galleries
Dates:
circa 1900-1963
Size:
18.7 Linear feet
Collection ID:
AAA.feragall
Repository:
Archives of American Art

The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.

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Creators:
Ward Eggleston Galleries (New York, N.Y.)
Dates:
[ca. 1947-1965]
Size:
0.8 Linear feet ((partially microfilmed on 2 reels))
Collection ID:
AAA.wardeggl
Repository:
Archives of American Art

Artists' files; photographs; clippings; and announcements.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1818-1973
Size:
9.47 Cubic feet (consisting of 16 boxes, 1 folder, 13 oversize folders, 5 map case folders, 3 flat boxes (2 full, 1 partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Men
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Men's Clothing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1786-1971
Size:
9.93 Cubic feet (consisting of 21 boxes, 9 folders, 12 oversize folders, 3 map case folders, plus digital images of some collection material.)
Collection ID:
NMAH.AC.0060.S01.01.Agriculture
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Agriculture forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Clayton, Henry Helm, 1861-1946
Dates:
1877-1949 and undated
Size:
6 cu. ft. (12 document boxes)
Collection ID:
Record Unit 7153
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1792-1952
Size:
4.71 Cubic feet (consisting of 9 boxes, 5 folders, 13 oversize folders, 1 map case folder, 3 flat boxes (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Furniture
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Furniture and Furnishings forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Parsons, Betty
Dates:
circa 1920-1991
bulk 1946-1983
Size:
57.2 Linear feet
Collection ID:
AAA.parsbett
Repository:
Archives of American Art

The Betty Parsons Gallery records and personal papers measure 57.2 linear feet and date from 1920 to 1991, with the bulk of the material dating from 1946-1983. Records provide extensive documentation of the gallery's operations from its inception in 1946 to its closing in 1983 and of the activities of Betty Parsons as one the leading art dealers of contemporary American Art in the latter half of the twentieth century, particularly the work of the Abstract Expressionists. Over one third of the of the collection is comprised of artists files containing correspondence, price lists, and printed materials. Additional correspondence is with galleries, dealers, art institutions, private collectors, and the media. Also found are exhibition files, exhibition catalogs and announcements, sales records, stock inventories, personal financial records, and photographs. Betty Parsons' personal papers consist of early curatorial files, pocket diaries, personal correspondence, and evidence of her own artwork, including sketchbooks, and files documenting her personal art collection.

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121 records — Page 1 of 13