The papers of artist Pepe Coronado measure 1.5 linear feet and date from 1995 to 2016. The collection is comprised of exhibition files, professional files, printed materials, and artwork that document Coronado's career as a printmaker.
The printed materials of artist Rimer Cardillo measure 0.4 linear feet and date from 1985 to 2012. The collection is comprised of clippings including reviews of the exhibition Revelaciones / Revelations: Hispanic Art of Evanescence, exhibition announcements and catalogs, and newsletters relating to Cardillo's career as a printmaker and graphic artist.
The papers of Italian-American painter, engraver, and printmaker Letterio Calapai measure 3.4 linear feet and date from 1858 through 1993 (bulk 1920s-1993). Found are correspondence, teaching and project files, writings and notes, printed materials, photographs, and sketchbooks, including one with scenes of Rockwell Kent's dairy farm in upstate New York.
The papers of Wisconsin printmaker and educator Raymond Gloeckler measure 1.4 linear feet and date from 1952 to 2008. Gloeckler's career is documented through biographical material, correspondence with galleries and art organizations, exhibition and commission files, printed material, and artwork.
The papers of painter, printmaker and sculptor Agnes Mills measure 1.1 linear feet and date from 1948 to 1999, with the bulk of the material from 1974 to 1993. Her enduring interest in dance theatre is demonstrated in the papers. Reminiscences of her time in the WPA, artist statements, sketchbooks, and a bound compilation of publicity, biographical notes, and images of artwork provide an overview of her professional accomplishments. The collection also includes curricula vitae; correspondence; writings by and about the artist; price lists and inventories; articles, news clippings, press releases and exhibition announcements; original artwork; and photographs of both the artist and her work.
The papers of draftsman, printmaker, and illustrator, Sears Gallagher measure 1.1 linear feet and date from circa 1882-2010. The collection consists of biographical information including awards and a scholarly biography; correspondence, primarily professional in nature, documenting the placement of works; professional files that document the management of studio practices including the printmaking process and the distribution and sale of prints; scrapbooks chronicling Gallagher's professional and family history in the form of clippings, photographs, and correspondence; printed material including clippings and commercial prints of watercolors; photographs including those of the artist and his studio; and artwork including numerous drawings on paper and sketchbooks documenting key moments of travel and artistic production.
Photographic prints depicting Country and Western musicians. Many of the photographs are humorous, whimsical, or even surrealistic.
The papers of Joseph Tobin regarding his friend, painter and printmaker Alton Pickens, measure 0.3 linear feet and date from 1946-circa 1970s. Correspondence primarily pertains to an exhibition that Tobin was trying to organize for Pickens in France, however the exhibition never came to fruition. Also included in the collection are printed material and photographs related to Pickens and his work.
The papers of printmaker Jerome Wallace measure 0.2 linear feet and 4.37 GB and date from 1875 to 2012 with the bulk of materials dating from 1970 to 2012. The collection documents his life and career through photocopies of biographical materials, writings and statements, articles, and project files. Original legal documents pertaining to a rental property dispute and digital photographs of Wallace and his artwork are also included in the collection.
The papers of New York artist Zarina Hashmi date from 1950-2015. The extent measures 1.1 linear feet and 4.28 gigabytes. This small collection documents Hashmi's life and career through biographical material; correspondence with friends, dealers, and curators; writings, including diary pages, a digital video recording of a lecture, and notebooks; project files containing sketches, studies, and reference material; printed material; and over 100 photographs from various stages in the artist's life.