Curated by César Piñeiro, Art-Caribe featured works of Puerto Rican born artist, Dennis Mario Rivera. The exhibition was organized by the Anacostia Museum and held there September 18, 1994 through November 06, 1994. Rivera uses his art to tell stories of his homeland and the Caribbean. Many of his works is this exhibit focused on the region's African heritage.

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

The papers of Washington, D.C. painter and printmaker Naul Ojeda measure 5.5 linear feet and date from circa 1960 to 2004. The papers document Ojeda's personal and professional life through biographical materials, correspondence, professional files, printed and broadcast materials, scrapbooks, and artwork.

The papers of Washington, D.C. painter and printmaker Kevin MacDonald measure 8 linear feet, and date from 1958-2006. The collection contains correspondence with friends and colleagues; journals, notebooks, and other writings; printed material; artwork by MacDonald and others; 29 sketchbooks; sound and video recordings; and home movies. Of note are several files regarding his work with the Washington Project for the Arts.

The papers of printmaker and landscape painter Benson Bond Moore date from 1902 to 1995 and measure 5.7 linear feet. Found within the papers are biographical material, letters, scattered personal business records, notes and writings, twelve scrapbooks, printed material, and photographs. The papers also contain extensive artwork in the form of drawings and sketches, etchings, lithographs, and a few oil paintings.

The papers of artist Pepe Coronado measure 1.5 linear feet and date from 1995 to 2016. The collection is comprised of exhibition files, professional files, printed materials, and artwork that document Coronado's career as a printmaker.

An exhibition featuring the works of artists Lou and Di Stovall organized by the Anacostia Neighborhood Museum and held there from September 18 --December 18, 1983. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.

The printed materials of artist Rimer Cardillo measure 0.4 linear feet and date from 1985 to 2012. The collection is comprised of clippings including reviews of the exhibition Revelaciones / Revelations: Hispanic Art of Evanescence, exhibition announcements and catalogs, and newsletters relating to Cardillo's career as a printmaker and graphic artist.

The papers of African American painter, printmaker, and sculptor Elizabeth Catlett measure 0.3 linear feet and date from 1957 to 1980. The collection consists of printed material, such as project-related press; exhibition announcements, catalogs, and posters; publications featuring articles about Catlett; clippings; and cards featuring reproductions of Catlett's work.

The papers of Joseph Tobin regarding his friend, painter and printmaker Alton Pickens, measure 0.3 linear feet and date from 1946-circa 1970s. Correspondence primarily pertains to an exhibition that Tobin was trying to organize for Pickens in France, however the exhibition never came to fruition. Also included in the collection are printed material and photographs related to Pickens and his work.