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- Creators:
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O'Hara, Frederick, 1904-1980
- Dates:
-
1956-1981
- Size:
-
0.2 Linear feet
- Collection ID:
- AAA.oharfred
- Repository:
-
Archives of American Art
Biographical accounts, letters, 2 work journals (1956-1960), essays, photographs, and printed material document Frederick O'Hara's printmaking techniques and career.
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- Creators:
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Paone, Peter, 1936-
Veloric, Cynthia
- Dates:
-
1991 Sept. 27
- Size:
-
202 Pages (Transcript)
- Collection ID:
- AAA.paone91
- Repository:
-
Archives of American Art
An interview of Peter Paone conducted 1991 Sept. 27, by Cynthia Veloric, for the Archives of American Art Philadelphia Project.
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- Creators:
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Arms, John Taylor, 1887-1953
- Dates:
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1910-1952
- Size:
-
4 Linear feet ((on 2 microfilm reels))
- Collection ID:
- AAA.armsjota
- Repository:
-
Archives of American Art
Two volumes of consignment records of prints; sketchbooks and drawings of French architecture; writings, including a notebook on printmaking made while studying with Bolton Brown; a notebook of engineering drawings for Princeton; a scrapbook; minutes of Art Association Representatives, New York World's Fair; Artists for Victory minutes and scrapboo...
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- Creators:
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Milton, Peter, 1930-
- Dates:
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1962-1983
- Size:
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1.4 Linear feet
- Collection ID:
- AAA.miltpete
- Repository:
-
Archives of American Art
Correspondence files, project files, teaching files, writings, biographical material, inventories, receipts and price lists of prints, and printed material document Milton's printmaking career.
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- Creators:
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Print Council of America
- Dates:
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1951-2016
- Size:
-
24.5 Linear feet
2.34 Gigabytes
- Collection ID:
- AAA.princoun
- Repository:
-
Archives of American Art
The records of the Print Council of America measure 24.5 linear feet and 2.34 gigabytes, and date from 1951 to 2016. The collection includes administrative files, correspondence and subject files, interviews, exhibition and project files, financial records, and printed materials that document the council's founding and activities as a non-profit, professional organization of print specialists.
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- Creators:
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Peterdi, Gabor
Cummings, Paul
- Dates:
-
1971 Apr. 29
- Size:
-
79 Pages (Transcript)
- Collection ID:
- AAA.peterd71
- Repository:
-
Archives of American Art
An interview of Gabor Peterdi conducted 1971 Apr. 29, by Paul Cummings, for the Archives of American Art. Peterdi speaks of his youth in Hungary and his early desire to be a painter, Paris and his first encounter with surrealism, studying printmaking with Stanley William Hayter and the Paris art scene in the 1930s. He comments on coming to the U.S....
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- Creators:
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Maitin, Sam
Hunter, Anne S.
- Dates:
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1991July 24
- Size:
-
238 Pages (Transcript)
- Collection ID:
- AAA.maitin91
- Repository:
-
Archives of American Art
An interview of Samuel C. Maitin conducted 1991 July 24, by Anne Schuster Hunter, for the Archives of American Art Philadelphia Project.
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- Creators:
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Castellón, Federico, 1914-1971
Cummings, Paul
- Dates:
-
1971 April 7-14
- Size:
-
104 Pages (Transcript)
- Collection ID:
- AAA.castel71
- Repository:
-
Archives of American Art
An interview of Federico Castellon conducted 1971 April 7-14, by Paul Cummings, for the Archives of American Art. Castellon speaks of his childhood; his early interest in art; contact with Diego Rivera and the Weyhe Gallery in 1933; studying in Madrid and Paris; his involvement with the Spanish military; teaching at Columbia; traveling in Italy and...
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- Creators:
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Hollander, Irwin
Cummings, Paul
- Dates:
-
1970 June 19
- Size:
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1 Sound tape reel (Sound recording (1 hour), 7 in.)
32 Pages (Transcript)
- Collection ID:
- AAA.hollan70
- Repository:
-
Archives of American Art
An interview of Irwin Hollander conducted 1970 June 19, by Paul Cummings, for the Archives of American Art.
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- Creators:
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Army Medical Museum (U.S.)
- Dates:
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circa 1885-1900
- Size:
-
13 mounted prints (albumen)
- Collection ID:
- NAA.PhotoLot.78-42
- Repository:
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National Anthropological Archives
Photographs documenting physical anthropology techniques for measuring and photographing skulls for comparison, as practiced by scientists of the Army Medical Museum. Photographs are mounted on unbound pages from an album and have been annotated to describe the technique depicted.