The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
The Grant Wood papers measure 0.2 linear feet and date from 1930 to 1983. Included are three newspaper obituaries for Grant Wood and six letters to art educator, Zenobia Ness, discussing his exhibition plans, paintings, Stone City Art Colony, and the Federal Public Works of Art Projects. The collection also contains two letters, including a Stone City brochure, to Walter Pritchard Eaton, Professor of Drama at Yale University. Also found are writings, newspaper clippings containing articles on Wood, and other printed material. Photographs in the collection, some of which are signed, are of Wood in his studio and at the Artist Camp at Stone City, and various works of art.
The Edward Bruce papers measure 8.9 linear feet and date from 1902 to 1960, with the bulk of the material dating from 1932 to 1942. The collection documents Bruce's work as an artist, art collector, exhibition juror, and federal government art administrator, particularly his tenure as Director of the U. S. Treasury Department's Section of Fine Arts. Well over one-half of the collection consists of extensive correspondence with artists, art collectors and dealers, arts associations, galleries, and government officials, including President and Mrs. Franklin D. Roosevelt.
The scattered personal papers of Seattle area painter Kamekichi Tokita (1897-1948) measure 1.5 linear feet and date from circa 1900 to circa 2010 with the bulk of the material dating from circa 1910 to 1948. The papers include biographical materials, including documents about the closing of the War Relocation Authority's Minidoka Camp in Idaho; correspondence; three diaries written in Japanese documenting Tokita's war time experiences and relocation to Minidoka, two earlier notebooks, also written in Japanese, and scattered notes; a few personal business records; printed materials; one scrapbook; sketches; and one family photograph album.
The papers of California printmaker and educator Roi Partridge measure 1.0 linear foot and date from 1909-2003, with the bulk of the material dated 1909-1984. Found here are scattered correspondence, notes and writings, a scrapbook, printed material, and photographs. Several of the documents date from the time Partridge was married to photographer Imogen Cunningham, particularly family correspondence and a travel log of family car camping trips to the west. The same travel log documents one sketching trip Partridge made with Eugen Neuhaus.
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.
The letters of Paul Cadmus to Webster Aitken measure 0.02 linear feet and date from 1945-1979. Found within the collection are letters, notes, and postcards from Cadmus to Aitken regarding music, composers, musicians, mutual friends, Cadmus's sister and brother-in-law Mr. and Mrs. Lincoln Kirstein, travels, and Cadmus's work, art processes, and personal reflections on life events.
The papers of painter, muralist, children's book author and illustrator James Daugherty measure 6.5 linear feet and date from 1904-1978. The papers document Daugherty's career and artistic process through a small amount of biographical material, correspondence, writings, printed material, and sketchbooks. The 150 sketchbooks span seven decades and are the bulk and highlight of this collection. They contain preparatory drawings and sketches for artworks, murals, and illustrations, as well mock-ups for books, travel sketches, and a good deal of writing. Daugherty worked in both a non-objective abstract style and in representational illustration. His illustrations depict biblical stories and familiar characters and caricatures from American folklore including Revolutionary War heroes, Native Americans, American explorers and frontiersman.
The papers of New York art historian Francis O'Connor measure 23.4 linear feet and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.