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- Creators:
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Forbes, Anne, 1919-
United States. Indian Arts and Crafts Board
- Dates:
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1948-1977
- Size:
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472 Photographic prints
1 Linear foot
- Collection ID:
- NMAI.AC.060
- Repository:
-
National Museum of the American Indian
The Anne Forbes collection includes documents and photographs pertaining to her research on Indian arts in the Southwest, United States conducted during 1948-1948 and revisited in 1958. The work culminated in the dissemination of a survey titled "Survey of American Indian Arts and Crafts, Southwest and Northern Plains." Forbes focused mostly on Pueblo paintings having developed personal relationships with several Pueblo painters including Joe Herrera (Cochiti Pueblo), Velino Herrera (Zia Pueblo) and Jose Rey Toledo (Jemez Pueblo).
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- Creators:
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Lente, Joe B. (Joe Bartolo)
- Dates:
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1938-1939
- Size:
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5 Copy negatives
- Collection ID:
- NAA.PhotoLot.12A
- Repository:
-
National Anthropological Archives
The collection consists of photographs of Joe B. Lente's ink and watercolor paintings of Isleta Pueblo ceremonies and a small sketch of the artist on Lente's letter to Elsie Clews Parsons from September 16, 1938.
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- Creators:
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Orchard, William C.
Museum of the American Indian, Heye Foundation
- Dates:
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circa 1899-1937
bulk 1900-1902
- Size:
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27 Negatives (photographic) (black and white)
324 Photographic prints (black and white)
34 Lantern slides (color)
- Collection ID:
- NMAI.AC.001.020
- Repository:
-
National Museum of the American Indian
The majority of the images are individual and group portraits of Southwestern tribes, photographed between 1900-1902, including Laguna Pueblo, Hopi Pueblo, Zuni Pueblo, Taos Pueblo, San Juan Pueblo, White Mountain Apache, Ute, San Carlos Apache, and Navajo Indians.
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- Creators:
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National Museum of American Art. Curatorial Office
- Dates:
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1973-1993
- Size:
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4 cu. ft. (4 record storage boxes)
- Collection ID:
- Accession 97-035
- Repository:
-
Smithsonian Institution Archives
This accession consists of records which document planning for and the installation of the following exhibitions: Art, Design and the Modern Corporation: The Collection of the Container Corporation of America; The Martha Jackson Memorial Collection; Patrick Ireland: Drawings, 1965-1985; Close Focus: Prints, Drawings and Photographs; Franz...
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- Creators:
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National Museum of Natural History (U.S.). Native American Public Programs
- Dates:
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1989-1993
- Size:
-
5,750 Prints (circa, silver gelatin (including contact prints))
12 Color transparencies
10 Color negatives
3,500 Color slides (circa)
67 Color prints
4 Negatives (acetate)
- Collection ID:
- NAA.PhotoLot.91-26
- Repository:
-
National Anthropological Archives
Photographs documenting Native American Public Programs events, including images of Native American artists and examples of their work during demonstrations and lectures at the National Museum of Natural History. Photographs were mostly made by Smithsonian photographers, including Carl C. Hansen, Richard Strauss, Chip Clark, Laurie Minor-Penland, ...
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- Creators:
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Farber, Joseph C., 1903-
- Dates:
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circa 1970-1975
- Size:
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6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
- Collection ID:
- NAA.PhotoLot.78-1
- Repository:
-
National Anthropological Archives
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos,...
Found In
Olive Rush papers
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- Creators:
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Rush, Olive, 1873-1966
- Dates:
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1879-1967
- Size:
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6.3 Linear feet
- Collection ID:
- AAA.rusholiv
- Repository:
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Archives of American Art
The papers of Olive Rush measure 6.3 linear feet and date from 1879 to 1967. They contain correspondence, artwork, photographs, writings, and other personal papers documenting Rush's education and career as an illustrator, portraitist, muralist, painter, teacher, and promoter of Native American art.
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- Dates:
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1954-2017
- Size:
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2.84 Linear feet (3 boxes)
- Collection ID:
- ACMA.03-102
- Repository:
-
Anacostia Community Museum Archives
These records document the planning, organizing, and promotion of an exhibition exploring the triumphs and struggles of Latinx migrants and immigrants in four urban areas: Washington, DC, Baltimore, MD, Raleigh-Durham, NC, and Charlotte, NC. The exhibition was organized and held at the Anacostia Community Museum from December 5, 2016 – January 7, 2018, and traveled to the Carlos Rosario International Public Charter School in Washington, DC, from October 2018 to Spring 2019. Materials include research files, exhibition files, oral history interviews, exhibition brochures, and media coverage.
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- Creators:
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Bennington College. Visual Arts Dept
- Dates:
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1948-1982
- Size:
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2,500 Items ((on 3 microfilm reels))
- Collection ID:
- AAA.benncoll
- Repository:
-
Archives of American Art
164 exhibition files containing biographical data, letters received, copies of letters sent, a list of Bennington art majors from 1936-1956, a list of art faculty from 1942-1969, loan agreements, price lists, checklists, entry forms, press releases, exhibition catalogues and announcements, printed material, and photographs.
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- Creators:
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Blumenschein, Ernest Leonard, 1874-1960
- Dates:
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1873-1964
- Size:
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2.1 Linear feet
- Collection ID:
- AAA.blumerne
- Repository:
-
Archives of American Art
The papers of southwest painter and illustrator Ernest Blumenschein measure 2.1 linear feet and date from 1873-1964. The collection documents Blumenschein's artistic career, his relationship with his wife and daughter, his love of the American southwest, and his involvement in the art community of Taos, New Mexico. Found are biographical materials, personal and professional correspondence, scattered personal business records, writings, a large amount of juvenilia artwork, and photographs of artwork.