99 records — Page 1 of 10
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Creators:
Forbes, Anne, 1919-
United States. Indian Arts and Crafts Board
Dates:
1948-1977
Size:
472 Photographic prints
1 Linear foot
Collection ID:
NMAI.AC.060
Repository:
National Museum of the American Indian

The Anne Forbes collection includes documents and photographs pertaining to her research on Indian arts in the Southwest, United States conducted during 1948-1948 and revisited in 1958. The work culminated in the dissemination of a survey titled "Survey of American Indian Arts and Crafts, Southwest and Northern Plains." Forbes focused mostly on Pueblo paintings having developed personal relationships with several Pueblo painters including Joe Herrera (Cochiti Pueblo), Velino Herrera (Zia Pueblo) and Jose Rey Toledo (Jemez Pueblo).

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Creators:
Orchard, William C.
Museum of the American Indian, Heye Foundation
Dates:
circa 1899-1937
bulk 1900-1902
Size:
27 negatives (photographic) (black and white)
324 Photographic prints (black and white)
34 lantern slides (color)
Collection ID:
NMAI.AC.001.020
Repository:
National Museum of the American Indian

The majority of the images are individual and group portraits of Southwestern tribes, photographed between 1900-1902, including Laguna Pueblo, Hopi Pueblo, Zuni Pueblo, Taos Pueblo, San Juan Pueblo, White Mountain Apache, Ute, San Carlos Apache, and Navajo Indians.

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Creators:
National Museum of American Art. Curatorial Office
Dates:
1973-1993
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 97-035
Repository:
Smithsonian Institution Archives

This accession consists of records which document planning for and the installation of the following exhibitions: Art, Design and the Modern Corporation: The Collection of the Container Corporation of America; The Martha Jackson Memorial Collection; Patrick Ireland: Drawings, 1965-1985; Close Focus: Prints, Drawings and Photographs; Franz...

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Creators:
Blumenschein, Ernest Leonard, 1874-1960
Dates:
1873-1964
Size:
2.1 Linear feet
Collection ID:
AAA.blumerne
Repository:
Archives of American Art

The papers of southwest painter and illustrator Ernest Blumenschein measure 2.1 linear feet and date from 1873-1964. The collection documents Blumenschein's artistic career, his relationship with his wife and daughter, his love of the American southwest, and his involvement in the art community of Taos, New Mexico. Found are biographical materials, personal and professional correspondence, scattered personal business records, writings, a large amount of juvenilia artwork, and photographs of artwork.

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Creators:
Lente, Joe B. (Joe Bartolo)
Dates:
1938-1939
Size:
5 copy negatives
Collection ID:
NAA.PhotoLot.12A
Repository:
National Anthropological Archives

The collection consists of photographs of Joe B. Lente's ink and watercolor paintings of Isleta ceremonies and a small sketch of the artist on Lente's letter to Elsie Clews Parsons from September 16, 1938.

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Creators:
Nicholson, Grace, -1948
Museum of the American Indian, Heye Foundation
Dates:
1905-1930
Size:
374 Photographic prints
38 copy negatives
Collection ID:
NMAI.AC.001.039
Repository:
National Museum of the American Indian

This collection contains 374 photographic prints and 38 copy negatives made by Grace Nicholson, a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The majority of the photographs were made between 1910 and 1930 among various native communities in California, though there are smaller amounts of photographs in Arizona and New Mexico. Communities photographed include—Hupa, Yurok, Pomo, Karuk (Karok), Tolowa, Yokayo Pomo, Achomawi (Pit River), Atsugewi (Hat Creek), Hopi Pueblo, Kumeyaay (Digueno), Mojave (Mohave), Paiute, Taos Pueblo, Wintu, Acoma Pueblo, Maidu, Chukchansi Yokuts, Yokuts.

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Dates:
1954-2017
Size:
2.84 Linear feet (3 boxes)
Collection ID:
ACMA.03-102
Repository:
Anacostia Community Museum Archives

These records document the planning, organizing, and promotion of an exhibition exploring the triumphs and struggles of Latinx migrants and immigrants in four urban areas: Washington, DC, Baltimore, MD, Raleigh-Durham, NC, and Charlotte, NC. The exhibition was organized and held at the Anacostia Community Museum from December 5, 2016 – January 7, 2018, and traveled to the Carlos Rosario International Public Charter School in Washington, DC, from October 2018 to Spring 2019. Materials include research files, exhibition files, oral history interviews, exhibition brochures, and media coverage.

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Creators:
Gracie Mansion Gallery
Dates:
1972-1991
Size:
5.3 Linear feet
Collection ID:
AAA.gracmans
Repository:
Archives of American Art

The records of the New York City contemporary Gracie Mansion Gallery measure 5.3 linear feet and date from 1972-1991. Most of the records date from the gallery opening in 1982 and later. The bulk of the collection consists of printed material and exhibition loan files that document the activities of the gallery and the East Village art scene. Loan and consignment files are found for numerous artists including Michael Bidlo, Buster Cleveland, Claudia DeMonte, Rodney Alan Greenblat, Stephen Lack, Ed McGowin, David Sandlin, Hope Sandrow, David Wojnarowicz, Rhonda Zwillinger, among others. Also found are scattered business records.

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Creators:
National Museum of American Art. Office of Exhibition and Design
Dates:
1947-1983
Size:
4.93 cu. ft. (2 16x20 boxes) (37 oversize folders)
Collection ID:
Record Unit 452
Repository:
Smithsonian Institution Archives

This record unit consists of approximately 800 posters, which primarily document exhibitions, programming, and collections at the National Collection of Fine Arts (NCFA) and later, the National Museum of American Art (NMAA). Several posters serve as advertisements for the museum, incorporating imagery from artists' works within the collection....

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Creators:
Rush, Olive, 1873-1966
Dates:
1879-1967
Size:
6.3 Linear feet
Collection ID:
AAA.rusholiv
Repository:
Archives of American Art

The papers of Olive Rush measure 6.3 linear feet and date from 1879 to 1967. They contain correspondence, artwork, photographs, writings, and other personal papers documenting Rush's education and career as an illustrator, portraitist, muralist, painter, teacher, and promoter of Native American art.

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99 records — Page 1 of 10