The S.K. Lothrop collection primarily contains negatives, photographic prints, and lantern slides made by Lothrop while employed by the Museum of the American Indian, Heye Foundation. Lothrop traveled on behalf of the Museum to New Mexico, Argentina, Chile, El Salvador, Guatemala, and Peru. The four New Mexico negatives in this collection date from...
These images were shot in California, Alaska, Washington, and Guatamala and feature images of Tolowa, Haida, Salish, and Quiché Maya (Quiché) Indians. Images include group portraits, daily activities, village scenes, and petrogylphs.
The book is apparently sermons and biblical passages translated into Quiche and Cakchiquel Maya during the 17th century. The sermons were written at different times and by different hands. It would also appear that Indians were responsible for the transcription of these Maya texts, since the Latin and Spanish titles often have obvious spelling erro...
Also letter from Dr Cyrus Thomas to Major Powell with comments on the manuscript.
Grammatical terms: Terms expressing actors, actions, etc. in the following dialects: Page: 2. Isleta 3. Arapaho 4. Nahuatl 5. Delaware 6. Penobscot 7. Passamaquoddy 8. Maya 9. Quiche 10. Kechua 11. Ojibwa 12. Kataba 13, 18, 24. Tonkawa 14. Dakota 15. Shawnee 16. Peoria 17. Blackfoot 19. Cree 20. Micmac 21. Peoria 22. Hidatsa 23. Wichita.
Includes finger prints and palm prints identified by person and group; tabular documents prepared in analyzing the prints; and correspondence with Harold Cummins. The material is for Kanjobal speakers (Soloma), Quiche speakers (mostly Santa Clara la Laguna), Mam, and Cakchiquel (Patzun).
Contents: Adirondack tribe (St Lawrence River) Old Manuscript Number 3553. Adoption Old Manuscript Number 4007. Refers to Algonquian method of counting -only; see Haas note 2/18/72; Old Manuscript Number 3864. "Alligewi"; Animism Old Manuscript Number 3867 and 2842-c, box 6. Blood Indians, origin of name; Brant, Joseph Old Manuscript Number 3874. C...
Robert Moody Laughlin is an American ethnologist specializing in the study of Mayan language, history, customs, and folklore. He spent the majority of his career working for the Smithsonian Institution, first with the Bureau of American Ethnology, then with the Department of Anthropology. He has been a curator emeritus with the department since his retirement in 2006. The Robert Moody Laughlin papers (1899-2016, bulk 1954-2016) document his research and professional activities and primarily deal with language and folktales he recorded and studied, as well as the culture and history of the Tzotzil and other Mayan groups in the Chiapas region. His involvement in language education and training, advocacy for the Tzotzil and language and cultural revitalization, and administrative matters at the Smithsonian are also represented. The collection consists of materials created for books and other publications, field notes, research materials, correspondence, administrative files, sound recordings, video recordings, photographs, and electronic records.
The Matthew Williams Stirling and Marion Stirling Pugh papers, 1876-2004 (bulk 1921-1975), document the professional and personal lives of Matthew Stirling, Smithsonian archaeologist and Chief of the Bureau of American Ethnology (1928-1957), and his wife and constant collaborator, Marion Stirling Pugh. The bulk of the material is professional in nature and includes material from Matthew's early career in the 1920s, the careers of Matthew and Marion together from when they married in 1933 to Matthew's death in 1975, and Marion's life and work from 1975 until her death in 2001. The majority of the documentation relates to the investigation of the Olmec culture in Mexico by the Stirlings, including the discoveries of eight colossal Olmec heads. In addition, the collection documents their work in Panama, Ecuador, and Costa Rica, looking for connections between Mesoamerica and South America. Materials include field notes, journals, correspondence, photographs, writings, clippings, ephemera, articles, and scrapbooks.
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.