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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1982-1989
- Size:
-
36.54 cu. ft. (58 document boxes) (7.54 tall document boxes)
- Collection ID:
- Accession 00-132
- Repository:
-
Smithsonian Institution Archives
Here At The Smithsonian was a series of short features for television created and produced by the staff of the Smithsonian's Office of Telecommunications between the years 1982 and 1989. The series was designed for public dissemination of information about Smithsonian exhibition and research activities. Each year had a volume number [1982...
Found In
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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1981-1991, 1996, 1999
- Size:
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15.5 cu. ft. (15 record storage boxes) (1 document box)
- Collection ID:
- Accession 08-084
- Repository:
-
Smithsonian Institution Archives
This accession consists of videotapes and audiotapes created during the production of "Here At The Smithsonian" ("HATS"), an eight volume series of television productions. The series was conceived by Nazaret Cherkezian, Director, Office of Telecommunications (1976-1986) and produced by Ann Carroll (Volumes I-IV) and John P. Meehan (Volumes V-V...
Found In
Sam DeVincent Collection of Illustrated American Sheet Music, Series 4: Songwriters Volumes I and II
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
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1847-1975
- Size:
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251 Boxes
- Collection ID:
- NMAH.AC.0300.S04
- Repository:
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Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
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- Creators:
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Asch, Moses
Distler, Marian, 1919-1964
Folkways Records
- Dates:
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1926-1986
bulk 1948-1986
- Size:
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841 Cubic feet
- Collection ID:
- CFCH.ASCH
- Repository:
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Ralph Rinzler Folklife Archives and Collections
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
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- Creators:
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Kurtz, Charles M. (Charles McMeen), 1855-1909
- Dates:
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1843-1990
bulk 1884-1909
- Size:
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27.74 Linear feet
- Collection ID:
- AAA.kurtchar
- Repository:
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Archives of American Art
The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Found In
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- Creators:
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Garden Club of America
- Dates:
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circa 1920-present
- Size:
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37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 lantern slides
- Collection ID:
- AAG.GCA
- Repository:
-
Archives of American Gardens
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.