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- Creators:
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Ribak, Louis, 1902-1979
- Dates:
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[ca. 1930]-1982
- Size:
-
1 Reel (ca. 700 items (on partial microfilm reel))
- Collection ID:
- AAA.ribaloui
- Repository:
-
Archives of American Art
Biographical data; correspondence; writings; an account notebook containng expenditures, prices of works and buyers' names; exhibition catalogs and announcements; clippings; magazine articles; books containing reproductions of Ribak's work (selected pages filmed); miscellaneous printed material; and photographs of Ribak, his friends, locales, and h...
Found In
Oral history interview with Louis Ribak
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- Creators:
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Ribak, Louis, 1902-1979
Loomis, Sylvia Glidden
New Deal and the Arts Oral History Project
- Dates:
-
1964 July 20
- Size:
-
1 Sound tape reel (Sound recordings: (45 min.), 7 in.)
18 Pages (Transcript)
- Collection ID:
- AAA.ribak64
- Repository:
-
Archives of American Art
An interview of Louis Ribak conducted by Sylvia Loomis on 1964 July 20 for the Archives of American Art.
Found In
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- Creators:
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Tamotsu, Chūzō, 1888-1975
- Dates:
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1920-1982
- Size:
-
12 Microfilm reels
- Collection ID:
- AAA.tamochuz
- Repository:
-
Archives of American Art
Correspondence; biographical data; list of works of art; photographs; sketchbook; annotated books; financial material; a diary; sketches; prints; and printed material.
Found In
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- Creators:
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Tamotsu, Chūzō, 1888-1975
Loomis, Sylvia Glidden
New Deal and the Arts Oral History Project
- Dates:
-
1964 September 3
- Size:
-
11 Pages (Transcript)
- Collection ID:
- AAA.tamots64
- Repository:
-
Archives of American Art
An interview of Chuzo Tamotzu (Tamotsu) conducted 1964 September 3 by Sylvia Loomis for the Archives of American Art.
Found In
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- Creators:
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McChesney, Mary Fuller
Landauer, Susan
Women in the Arts in Southern California Oral History Project
- Dates:
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1994 Sept. 28
1994 Sept. 28
- Size:
-
145 Pages (Transcript)
145 Pages (Transcript)
- Collection ID:
- AAA.mcches94
- Repository:
-
Archives of American Art
An interview of Mary Fuller McChesney conducted 1994 Sept. 28, by Susan Landauer, for the Archives of American Art, Women in the Arts in Southern California Oral History Project, at the artist's home, on Sonoma Mountain, Calif.
Found In
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- Creators:
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Walker, Hudson D. (Hudson Dean), 1907-1976
- Dates:
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1920-1982
- Size:
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20 Linear feet ((partially microfilmed on 10 reels))
- Collection ID:
- AAA.walkhuds
- Repository:
-
Archives of American Art
Correspondence; biographical material; artists files; files on organizations; business and financial records; photographs; writings and notes; diaries; scrapbooks; appointment calendars; exhibition catalogs and announcements; printed material; and miscellany.
Found In
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- Creators:
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Spohn, Clay Edgar, 1898-1977
- Dates:
-
circa 1862-1985
bulk 1890-1985
- Size:
-
20.4 Linear feet
- Collection ID:
- AAA.spohclay
- Repository:
-
Archives of American Art
The Clay Spohn papers measure 20.4 linear feet and date from circa 1862 to 1985 with the bulk of the material dating from 1890 to 1985. The collection consists of biographical material, correspondence, business records, notes and writings, art work, printed material, and photographs which reflect the life and career of painter and educator Clay Spohn.
Found In
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- Creators:
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Dasburg, Andrew, 1887-1979
- Dates:
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1833-1980
bulk 1900-1980
- Size:
-
8.8 Linear feet
- Collection ID:
- AAA.dasbandr
- Repository:
-
Archives of American Art
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
