This small collection of scattered papers of American writer John Weatherwax (1900-1984) dates from 1928 to 1988 (bulk 1931-1933), and measures 0.4 liner feet. The papers document Weatherwax's relationship with Mexican artists Frida Kahlo and Diego Rivera. In 1931, John Weatherwax approached Rivera to illustrate his English translation of the Mayan story of creation, the Popol Vuh. Rivera agreed and produced twenty-four watercolor illustrations for the text. The papers contain Weatherwax's translation, "Seven Times the Color of Fire", as well as manuscript versions of two short stories he wrote about Diego Rivera and Frida Kahlo entitled "The Queen of Montogomery Street" and "Diego". Also found within the collection are correspondence, manuscripts and notes, printed materials, and photographs.
The papers of painter and muralist Marion Greenwood (1909-1970) measure 0.5 linear feet and date from circa 1933 to circa 1960. The collection is comprised of biographical materials, printed materials, photographs and negatives.
The papers of painter Edmund Quincy measure 0.7 linear feet and date from 1891-1955, with the bulk of the materials dating from 1935-1955. In addition to biographical materials, letters, price lists, printed items, and a scrapbook documenting his painting career, Quincy's papers also include family photographs and a scrapbook concerning the political career of his father, Josiah Quincy, Mayor of Boston. Material concerning Quincy's father in some cases predates Quincy's birth. Also included are a diploma and drawings by Quincy.
The papers of Florence Arquin measure 8.2 linear feet and date from 1923 to 1985. The papers document Arquin's career as a painter, photographer, educator, writer, and critic through biographical material, correspondence, writings, teaching and project files, printed material, photographs, artwork, and scrapbooks. Additionally, the papers relate to her personal relationships with her husband Samuel Williams and friends, Diego Rivera and Frida Kahlo. Teaching and project files include material from Arquin's work with the Federal Art Project at the Art Institute of Chicago and as director of the U.S. State Department's Kodachrome Slide Project, which was part of an effort to provide educational agencies with visual aids to support Latin American Studies.
The papers of artist and art teacher Victor Mikhail Arnautoff measure 3.3 linear feet and date from 1920 to 2017 with the bulk of the material dating from the 1920 to 1953. The collection contains biographical material such as marriage certificates, passports, naturalization certificates, and an Arnautoff family history; correspondence between fami...
The papers of Hale Woodruff measure 0.6 linear feet and date from 1920 to 1977 with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, professional files, writings, printed material, photographs, and photocopies of a scrapbook, and of artwork.
The Emmy Lou Packard papers measure 9.4 linear feet and date from 1900 to 1990, and focus on the career of painter, printmaker, muralist, and sculptor Emmy Lou Packard. Also found are extensive materials relating to Packard's personal and professional relationship with muralist Diego Rivera and painter Frida Kahlo, with whom Packard lived for one year in Mexico. Papers include correspondence, financial records, notes, writings, exhibition files, photographs, and printed material.
The papers of abstract painter and art instructor Vaclav Vytlacil date from 1885-1990 and measure 5.2 linear feet. Found within the papers are scattered biographical materials, correspondence primarily discussing art school-related matters and the exhibition and sale of Vytlacil's work, scattered business and financial records, and notes and writings including lecture notes. The papers also contain audio recordings of interviews of Vytlacil and his associates, artwork by Vytlacil and others, four scrapbooks, printed material including clippings and exhibition catalogs, and photographs of Vytlacil, his colleagues, and his artwork.
The papers of King Vidor measure 2.1 linear feet and include correspondence, printed material, and a variety of materials related to the documentary Metaphor: King Vidor Meets Andrew Wyeth (1980) written and directed by Vidor, including production notes, photographs, and motion picture film.
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.