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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1982-1989
- Size:
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36.54 cu. ft. (58 document boxes) (7.54 tall document boxes)
- Collection ID:
- Accession 00-132
- Repository:
-
Smithsonian Institution Archives
Here At The Smithsonian was a series of short features for television created and produced by the staff of the Smithsonian's Office of Telecommunications between the years 1982 and 1989. The series was designed for public dissemination of information about Smithsonian exhibition and research activities. Each year had a volume number [1982...
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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1981-1991, 1996, 1999
- Size:
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15.5 cu. ft. (15 record storage boxes) (1 document box)
- Collection ID:
- Accession 08-084
- Repository:
-
Smithsonian Institution Archives
This accession consists of videotapes and audiotapes created during the production of "Here At The Smithsonian" ("HATS"), an eight volume series of television productions. The series was conceived by Nazaret Cherkezian, Director, Office of Telecommunications (1976-1986) and produced by Ann Carroll (Volumes I-IV) and John P. Meehan (Volumes V-V...
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- Creators:
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Hauber, Joseph R.
Stubblebine, Donald J., 1925-2010
- Dates:
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1866-2009, undated
- Size:
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285 Cubic feet (600 boxes)
- Collection ID:
- NMAH.AC.1211
- Repository:
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Archives Center, National Museum of American History
One of the most comprehensive collections of material relating to musical stage and film productions, the collection consists of an assortment of material including sheet music written specifically for or included in stage and screen musicals, television programs, Big Band performances, and radio. Some productions may have been produced under more ...
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- Creators:
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Smithsonian Institution. Office of Telecommunications
- Dates:
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1974-1983
- Size:
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10.14 cu. ft. (11 document boxes) (8 tall document boxes)
- Collection ID:
- Record Unit 588
- Repository:
-
Smithsonian Institution Archives
This record unit consists of master audio tapes for Radio Smithsonian programs 482-533, 1979, and Smithsonian Galaxy editions 26-76, 1979-1981; and audio tapes of Smithsonian special events, concerts, lectures, interviews, symposia, and openings, 1974-1983.
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Smithsonian Folklife Festival records: 2013 Smithsonian Folklife Festival
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 26-July 7, 2013
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2013
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Craton, Forman H., 1902-1983
- Dates:
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1902-1983
- Size:
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4.15 Cubic feet (13 boxes)
- Collection ID:
- NMAH.AC.0454
- Repository:
-
Archives Center, National Museum of American History
Diaries and memoirs, profusely illustrated with photographs and other mementos, which describe Craton's life, education and work experience as an engineer at General Electric in minute detail, and include his comments on the culture, current events and politics of the times; and correspondence, mostly letters from Craton to his wife and to his mother.
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- Creators:
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Hanson, Duane
- Dates:
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1935-2006
- Size:
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12.9 Linear feet
- Collection ID:
- AAA.hansduan
- Repository:
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Archives of American Art
The papers of Florida realist sculptor Duane Hanson date from 1935-2006 and measure 12.9 linear feet. Hanson's career is documented through biographical information, personal business records, correspondence, subject files, artwork, writings, printed materials, and photographs. There are numerous letters from the O.K. Harris Gallery and Ivan Karp, Dr. Martin Bush at Witchita State University, and Dewey Hanson.
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- Creators:
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DeVincent, Sam, 1918-1997
- Dates:
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1847-1975
- Size:
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251 Boxes
- Collection ID:
- NMAH.AC.0300.S04
- Repository:
-
Archives Center, National Museum of American History
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 4: Songwriters: A "songwriter" for this series is defined as a composer, a lyricist, or both. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
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- Creators:
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Ley, Willy, 1906-1969
- Dates:
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1859-1969
bulk 1930-1969
- Size:
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48.29 Cubic feet (107 Boxes)
- Collection ID:
- NASM.XXXX.0098
- Repository:
-
National Air and Space Museum Archives
This collection consists of Willey Ley's personal files, including his business correspondence, book contracts, and galley proofs, as well as publicity concerning Dr. Ley and his activities, and inquiries and comments from Ley's readership during his tenure as columnist for Galaxy Magazine (1952-1969). The material also includes articles gathered by Ley on topics ranging from astronomy and space travel to biology and natural parks to mythology, psychic phenomena, and UFOs.
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- Creators:
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Maertz, J.F., Department Store (Milwaukee, Wis.).
Stanley-Brown, Joseph, 1858-1941
Keystone View Company
Rau, William H.
More … - Dates:
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1887-1930
bulk 1900-1930
- Size:
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8 Cubic feet ((29 boxes))
- Collection ID:
- NMAH.AC.0945
- Repository:
-
Archives Center, National Museum of American History
Collection consists of lantern slides and stereographs produced by several companies: Keystone View Company, Better America Lecture Service, Incorporated, American Press Association, J. Stanley-Brown, William H. Rau, and J. F. Maertz Department Store. The lantern slides were primarily intended to be used for educational presentations about the United States, other countries, history, and society. Many of the slides and stereographs are accompanied by descriptive text and in some instances by small cards--one card for each slide--and in other instances directly on the back of a stereoview. The majority of images were taken from 1900 to 1930.