Stephen Robeson Miller research material on Kay Sage
A circa 100 p. chronology of Sage's life (published as a book, along with Sage's unpublished one-act Surrealist Plays in 1995 and 2011); her medical history; an exhibition record; circa 40 letters from Sage to her father, her stepmother, and her half-sister, Cornelia Sage Walcott Mackin; letters to Miller from Sage's friends, family and …
China Eggs by Kay Sage
The memoir China Eggs by Surrealist painter Kay Sage measure 0.01 linear feet and dates from 1955. The memoir is a photocopy of a typescript draft and it covers the period of roughly 1910-1935. Sage writes of her family; childhood years in the United States and Europe; travels; her painting; living in Italy; her marriage to Prince Ranieri di San Faustino; and her friendship with Ezra Pound. The typescript draft is edited throughout, presumably by Sage.
Kay Sage papers
The scattered papers of surrealist painter Kay Sage measure 0.4 linear feet and date from 1925 to circa 1985, with the bulk of the material dating from 1950 to 1965. Information about Sage's life as an abstract and surrealist artist and her relationship with her husband, artist Yves Tanguy are found in this small collection of biographical materials, correspondence, printed material, and photographs.
Flora Whitney Miller papers regarding Kay Sage
This small collection of papers (168 items) of socialite, art collector and patron Flora Whitney Miller document Miller's life-long friendship with surrealist artist Kay Sage measure 0.2 linear feet and date from 1915 to circa 1982. Found within the papers are 79 letters written to Miller by Sage; four letters written to Miller after Sage's suicide about Sage, and one reply letter; typescripts of 63 poems written by Sage, one handwritten poem by Sage, two Sage exhibition catalogs, and 18 snapshot photographs of Sage, Miller, and their friends. Documentation of Miller's career is not found within the papers.
Joseph Randall Shapiro and Jory Shapiro papers
Letters, scrapbooks, and printed material documenting the development of the Shapiro's art collection. Correspondence, primarily from dealers, museums, art organizations and artists, includes letters from Enrico Baj, Aaron Bohrod (recommending Ben Shahn as a muralist), George Buehr, Jose Luis Cuevas, Leon Golub, Margo Hoff, Miyoko Ito, Sidney Janis, Ellen Lanyon …
Catherine Viviano Gallery records
The records of the Catherine Viviano Gallery measure 11.6 linear feet and date from 1930-1990, with the bulk of the materials dating from 1949-1978. Established in New York City in 1949, the gallery specialized in contemporary painting and sculpture primarily by American and European artists. The collection consists of artists' files; correspondence with artists, collectors, dealers, museum directors, curators, and publishers; business records; printed material; and photographs of artwork and artists. Also included are records relating to Catherine Viviano's activities as a private dealer and consultant after she closed the gallery in 1970.
Institute of Contemporary Arts records
The records of the Washington, D.C. arts and educational organization, Institute of Contemporary Arts, measure 36 linear feet and date from 1927-circa 1985, with the bulk of the material spanning the organization's active years, 1947-1967. The collection documents the arts and cultural programming organized by the ICA through correspondence, artists' files, program and exhibition files, administrative and financial records, printed materials and photographs. Also found are administrative, student, and teacher records of the ICA school; records of the Fine Arts Committee of the People-to-People Project; and some personal papers of the ICA's founder, Robert Richman.
Dorothy C. Miller papers
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Oral history interview with Dorothea Tanning
An interview of Dorothea Tanning conducted 1990 July 11-November 5, by Barbara Shikler, for the Archives of American Art. Tanning discusses life in Illinois, New York, Arizona, and France. She recalls artists Max Ernst, Andre Breton, Julien Levy, George Balanchine, Yves Tanguy, and Kay Sage.
Beatrice Medicine papers
The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.