7 records — Page 1 of 1
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Creators:
Ullman, Harold Percy
Dates:
1942-1972
Size:
6 Items
Collection ID:
AAA.ullmharo
Repository:
Archives of American Art

Correspondence and writings compiled by Edwin Ullman relating to collector and dealer Galka Scheyer. Correspondence includes three letters between Galka Scheyer and Harold Percy Ullman regarding the sale of art work. Also included is a facsimile of a letter to Scheyer from Lyonel Feininger ("Papileo"). Writings include notes for a lecture about Sch...

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Creators:
Scheyer, Galka E.
Dates:
1917-1945
Size:
5 Reels (ca. 1200 items (on 5 partial microfilm reels))
Collection ID:
AAA.schegalk
Repository:
Archives of American Art

Papers relate mainly to the Blue Four and contain primarily correspondence; also business materials, photographs, essays, and printed materials.

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Creators:
Case, Jack
Case, Rhea
Dates:
1917-1979
Size:
271 Items ((partially microfilmed on 2 reels))
Collection ID:
AAA.casejack
Repository:
Archives of American Art

Correspondence, photographs, greeting cards, clippings, and a untranscribed interview documenting the Case's friendship with Beatrice Wood.

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Creators:
Weatherwax, John M. (John Martin), 1900-1984
Dates:
1928-1988
bulk 1931-1933
Size:
0.4 Linear feet
Collection ID:
AAA.weatjohn
Repository:
Archives of American Art

This small collection of scattered papers of American writer John Weatherwax (1900-1984) dates from 1928 to 1988 (bulk 1931-1933), and measures 0.4 liner feet. The papers document Weatherwax's relationship with Mexican artists Frida Kahlo and Diego Rivera. In 1931, John Weatherwax approached Rivera to illustrate his English translation of the Mayan story of creation, the Popol Vuh. Rivera agreed and produced twenty-four watercolor illustrations for the text. The papers contain Weatherwax's translation, "Seven Times the Color of Fire", as well as manuscript versions of two short stories he wrote about Diego Rivera and Frida Kahlo entitled "The Queen of Montogomery Street" and "Diego". Also found within the collection are correspondence, manuscripts and notes, printed materials, and photographs.

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Creators:
Siegriest, 1899-1989
Karlstrom, Paul J.
Oliveira, Nathan, 1928-2010
Dates:
1975 April 5
Size:
45 Pages (Transcript)
Collection ID:
AAA.siegri75
Repository:
Archives of American Art

Interview of Louis B. Siegriest, conducted 1975 April 5, by Paul Karlstrom and Nathan Oliveira, for the Archives of American Art, at Mr. Siegriest's home, in Oakland, California. Siegriest and Oliveira speak of his early career; the Society of Six; and the Bay Area figurative school. He recalls Perham Nahl, Bernard "Red" von Eichman, Bob Howard, Fr...

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Creators:
Wood, Beatrice
Dates:
1894-1998
bulk 1930-1990
Size:
26.6 Linear feet
Collection ID:
AAA.woodbeat
Repository:
Archives of American Art

The papers of California ceramicist Beatrice Wood measure 26.6 linear feet and date from 1906 to 1998, with the bulk dating from 1930-1990. There is extensive correspondence with gallery owners, fellow artists, clients, friends, and family. The collection also contains biograpical materials, personal business records, writings, printed materials, photographs, and works of art. Of particular interest are the 28 diaries that Wood maintained from 1916 until her death in 1998 and 42 glazing formula notebooks dating from 1934-1997. Also found are documents of Steven Hoag and Esther Rosencranz, her husband and aunt respectively, that consist of correspondence, business records, and photographs given to the Archives of American Art as part of the Beatrice Wood papers.

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Creators:
Jacques Seligmann & Co
Dates:
1904-1978
bulk 1913-1974
Size:
203.1 Linear feet
Collection ID:
AAA.jacqself
Repository:
Archives of American Art

The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.

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7 records — Page 1 of 1