The papers of painter Helen DeMott measure 7.9 linear feet and date from 1896-1997. DeMott's painting career from 1940-1996 is documented through her numerous sketchbooks and original artwork. Also found is biographical material, correspondence, writings and poems, scrapbooks, printed material, photographic material, audio and video recordings, and scattered material from collagist Ray Johnson.
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.
The Thomas Carr Howe papers measure 4.4 linear feet and date from 1932 to 1984. Howe was director of the California Palace of the Legion of Honor in San Francisco for nearly 40 years, and he served as one of the Monuments Men in the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The collection documents Howe's MFAA work in Germany and Austria locating and recovering cultural artifacts and artwork stolen by the Nazis. There is significant correspondence with friends and colleagues, as well as fellow Monuments Men such as Samson Lane Faison, Edith Standen, and George Stout. The papers also includes reports, inventories of stolen artwork, maps, annotated photographs, a scrapbook, and photographs. The papers also document Howe's later work at the California Palace of the Legion of Honor.
The papers of photographer, filmmaker, and painter Rudy Burckhardt measure 5.6 linear feet and date from 1934 to 2015. A bulk of the collection consists of black and white negatives which document over 260 mid-to-late twentieth century modern artists, their work, studios, and/or exhibitions. Notable artists include Willem de Kooning, Dan Flavin, Joseph Cornell, Helen Frankenthaler, Donald Judd, Franz Kline, Roy Lichtenstein, Louise Nevelson, Isamu Noguchi, Frank Stella, and many others. Burckhardt was hired to photograph for a number of New York art galleries such as the Leo Castelli Gallery and Green Gallery; art collectors including Chaim Gross and David Rockefeller; and art magazines such as ARTnews. Personal papers include announcements and an exhibition catalog; clippings; photographs on postcards; and a book, entitled Conversations with Rudy Burckhardt About Everything, by Simon Pettet, 1987. A small but rich addition to the collection dates from 1941-2015 and contains a curriculum vitae; letters from Joe Brainard, Harold Schimmel, and others; writings; one scrapbook dating from World War II containing letters Burckhardt wrote to Edwin Denby; printed announcements and clippings; and one photograph of Burckhardt taken by Yvonne Jacquette.
The records of contemporary New York City Tanager Gallery measure 2.6 linear feet and date from 1952 to 1979. Found are administrative files, financial and legal records including detailed receipt books, scattered correspondence, artists' files for circa 70 artists that include price lists and biographies, two scrapbooks of printed materials, newsclippings, exhibition announcements and other printed materials, and five photographs of openings at the gallery and of the exterior of the building.
The records of the Terrain Gallery measure 5.3 linear feet and date from circa 1950s-2005, bulk 1955-1985. The bulk of the records consists of exhibition files that document over one hundred and forty exhibitions as well as the gallery's relationship with artists. The collection includes founding documents, correspondence, artists' files, writings and an interview, financial records, scrapbooks, and photographs.
The papers of Fred Mitchell, 1938-2007, measure 14.3 linear feet. Correspondence, writings, 29 diaries, and subject files, document his personal life and career as a painter and educator in New York City. The papers also include biographical materials, artwork, sketchbooks, printed material, and photographs.
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.
The Joan Ludman papers relating to Fairfield Porter measure 4.2 linear feet and are dated circa 1910-2003, bulk 1976-2001. The papers primarily document her research for Fairfield Porter: A Catalogue Raisonné of his Prints (1981) and Fairfield Porter: A Catalogue Raisonné of the Paintings, Watercolors, and Pastels (2001). There are records concerning "Prints by Fairfield Porter from the Lauris and Daniel J. Mason Collection," a traveling exhibition organized by Ludman. Also found are Ludman's records concerning her authentications of Porter's artwork, and general printed material about Porter. Photographs are of Porter and his work. A 2015 addition includes provenance forms sent to Ludman from artwork owners.