78 records — Page 1 of 8
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Creators:
Smithsonian Press/Smithsonian Productions
Dates:
1989-1997
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 02-150
Repository:
Smithsonian Institution Archives

This accession includes the records of Laura T. Schneider, Audio-Visual Production Specialist, documenting her work on the television program "Dream Window: Reflections on the Japanese Garden." The materials consist of correspondence, memoranda, and notes pertaining to production, proposals, and meetings; promotion funding and expense informat...

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Creators:
Smithsonian Institution, Office of Museum Programs
Dates:
circa 1982-1989
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 93-055
Repository:
Smithsonian Institution Archives

These records were created by Laura T. Schneider during her tenure as Audio Program Coordinator for the Office of Museum Programs (OMP), 1984-1988, and Audiovisual Program Manager in 1989. The records include correspondence and other information pertaining to monthly reports for OMP; minutes of meetings; involvement with the Museum Education ...

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Creators:
Smithsonian Productions
Dates:
1990-1992, 1998
Size:
11.3 cu. ft. (8 record storage boxes) (15 11x17 d1 videocases)
Collection ID:
Accession 06-277
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual materials created during the production of "Dream Window: Reflections on the Japanese Garden." This video was produced in 1992 by Executive Producers Paul B. Johnson and Toshio Murayama, Senior Producer Laura T. Schneider, and Co-producer John W. Hiller in association with Kajima Kensetsu Kabushiki K...

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Creators:
Smithsonian Productions
Dates:
1984-2002
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 03-029
Repository:
Smithsonian Institution Archives

This accession includes the records of Laura T. Schneider, Audio-Visual Production Specialist, primarily documenting her work on "Dream Window: Reflections on the Japanese Garden," an educational film to acquaint American audiences with the historical and cultural significance of Japanese Gardens and their importance to Japan's landscape; and ...

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1990-1992
Size:
9.18 cu. ft. (1 record storage box) (1 tall document box) (20 film boxes)
Collection ID:
Accession 14-210
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual materials created during the production of "Dream Window: Reflections on the Japanese Garden." This documentary was produced in 1992 by Executive Producers Paul B. Johnson and Toshio Murayama; Senior Producer Laura T. Schneider; and Co-producer John W. Hiller in association with Kajima Kensetsu Kabus...

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Creators:
McClellan, Catharine
Guédon, Marie Françoise
Swanton, John Reed, 1873-1958
Emmons, George Thornton
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Dates:
1890-2004
bulk 1923-2004
Size:
2 map drawers
38 Linear feet (71 document boxes, 1 half document box, 2 manuscript folders, 4 card file boxes, 1 flat box, and 1 oversize box)
Collection ID:
NAA.1998-89
Repository:
National Anthropological Archives

These papers reflect the professional and personal life of Frederica de Laguna. The collection contains correspondence, field notes, writings, newspaper clippings, writings by others, subject files, sound recordings, photographs, and maps. A significant portion of the collection consists of de Laguna's correspondence with family, friends, colleagues, and students, as well as her informants from the field. Her correspondence covers a wide range of subjects such as family, health, preparations for field work, her publications and projects, the Northwest Coast, her opinions on the state of anthropology, and politics. The field notes in the collection mainly represent de Laguna and her assistants' work in the Northern Tlingit region of Alaska from 1949 to 1954. In addition, the collection contains materials related to her work in the St. Lawrence River Valley in Ontario in 1947 and Catherine McClellan's field journal for her research in Aishihik, Yukon Territory in 1968. Most of the audio reels in the collection are field recordings made by de Laguna, McClellan, and Marie-Françoise Guédon of vocabulary and songs and speeches at potlatches and other ceremonies from 1952 to 1969. Tlingit and several Athabaskan languages including Atna, Tutochone, Upper Tanana, and Tanacross are represented in the recordings. Also in the collection are copies of John R. Swanton's Tlingit recordings and Hiroko Hara Sue's recordings among the Hare Indians. Additional materials related to de Laguna's research on the Northwest Coast include her notes on clans and tribes in Series VI: Subject Files and her notes on Tlingit vocabulary and Yakutat names specimens in Series X: Card Files. Drafts and notes for Voyage to Greenland, Travels Among the Dena, and The Tlingit Indians can be found in the collection as well as her drawings for her dissertation and materials related to her work for the Handbook of North American Indians and other publications. There is little material related to Under Mount Saint Elias except for correspondence, photocopies and negatives of plates, and grant applications for the monograph. Of special interest among de Laguna's writings is a photocopy of her historical fiction novel, The Thousand March. Other materials of special interest are copies of her talks, including her AAA presidential address, and the dissertation of Regna Darnell, a former student of de Laguna's. In addition, materials on the history of anthropology are in the collection, most of which can found with her teaching materials. Although the bulk of the collection documents de Laguna's professional years, the collection also contains newspaper articles and letters regarding her exceptional performance as a student at Bryn Mawr College and her undergraduate and graduate report cards. Only a few photographs of de Laguna can be found in the collection along with photographs of her 1929 and 1979 trips to Greenland.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2004
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2004
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Museum of Natural History (U.S.). Department of Anthropology
Smithsonian Institution. Department of Anthropology
Smithsonian Institution. United States National Museum. Department of Anthropology
Dates:
1840s-circa 2015
Size:
330.25 Linear feet (519 boxes)
Collection ID:
NAA.XXXX.0311
Repository:
National Anthropological Archives

The Department of Anthropology records contain administrative and research materials produced by the department and its members from the time of the Smithsonian Institution's foundation until today.

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Creators:
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1928-1994
Size:
320 Boxes
Collection ID:
NMAH.AC.0618.S04.05
Repository:
Archives Center, National Museum of American History

The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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78 records — Page 1 of 8