Cynthia Goodman papers
The papers of curator and writer, Cynthia Goodman, date from circa circa 1944-2001, bulk 1975-1996 and measure 33.2 linear feet and .340 Gigabytes. The collection is comprised of artist files, records documenting computer and technological art, and research on Hans Hofmann and the New York School. The papers document Goodman's graduate and professional career including her studies in art history and early career writing and organizing exhibitions around Hans Hofmann and his legacy, and later her research related to the nascent computer art. The papers, organized primarily by project and artist files, include biographical material, interviews with artists, correspondence, writings, printed material, photographs and audio-visual material.
Jamison Thomas Gallery Records
The Jamison Thomas Gallery records measure 27.2 linear feet and 0.001 Gb and date from 1940-2000, with the bulk of the records dating from 1980-1995, reflecting the years the Gallery operated in Portland Oregon. About 1/2 of the records consist of artists' files of artists represented by the gallery and artists of interest. Also found are administrative records, client and collector files, financial and legal records, exhibition files, and publicity files.
Giulio V. Blanc papers
The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.
This accession consists primarily of records that document the concept, design, and installation of the Environmental Awareness Program's (EAP) traveling exhibition Ocean Planet, which opened at the National Museum of Natural History (NMNH) on April 22, 1995. The exhibit, which is meant to heighten the public's awareness of conservation issues facing the …
Franz Bader Gallery records
The records of the Washington, D.C. located Franz Bader Gallery measure 13.0 linear feet and date from 1925 to 1995. The materials document the gallery's history and administrative activities, the artists represented by the gallery, the exhibitions held at the space, and the life of Franz Bader. The collection comprises the personal papers of Franz Bader including files regarding his photography career; artist's files for Paul Arlt, David Becker, William Calfee, Un'ichi Hiratsuka, Robert Marx, Wang Ming, Naúl Ojeda, Prentiss Taylor, Alma Thomas, Lee Weiss, and others; and gallery files containing correspondence, exhibition records, client invoices and other administrative records, files on Inuit art and bark paintings, and a file for Whyte Bookshop and Gallery. Also found are inventory and sales records consisting of two card files, ledgers, stock and inventory lists, and a sales binder; printed and broadcast materials relating to exhibitions, Bader and his photography, events, and includes a video recording featuring the gallery on the show Around Town; guestbooks which hold signatures and notes from gallery patrons; scrapbooks that include printed material related to the gallery's exhibitions, D.C.-based artists the gallery represented, and other gallery events; and photographs of Bader and others, the gallery space, works of art, and candid photographs from exhibition openings.
John Davis Hatch papers
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Fendrick Gallery records
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.
Eyre de Lanux papers
The papers of portrait painter, writer, and designer, Eyre de Lanux (1894-1996) measure 10.6 linear feet and date from 1865 to 1995. The papers include biographical materials, personal business records, sixty-four diaries dating from 1922 through 1988, writings and notes, research files, printed materials, artwork, and photographs of Eyre de Lanux, her family, and friends. There is extensive correspondence with her husband Pierre de Lanux and her long-time lover Paolo Casagrande, as well as with other friends and family.
This accession consists of records that document Educational Outreach Fund (EOF) grant activities. Records that date prior to 1995 were originally maintained by Arleen McClain, Office of the Assistant Secretary for Education and Public Service, who served as EOF fund manager. When the records were transferred to the Office of the …
This accession consists of records which document the work of the Office of Exhibitions on exhibitions that were mounted by the National Portrait Gallery (NPG) from 1980 to 1995. Major exhibitions undertaken by the NPG in this period, and documented in these records, include Benjamin West and His American Students (1980-1981); Charles Willson …