Ralph Burns Papers
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- Creators:
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Burns, Ralph, 1922-2001
- Dates:
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circa 1940-1994
- Size:
-
1 Cubic foot (4 boxes
)
- Collection ID:
- NMAH.AC.0736
- Repository:
-
Archives Center, National Museum of American History
This collection contains sheet music and presentation scores of songs written and arranged by composer Ralph Burns.
Found In
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- Creators:
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Kass, Stephen M.
- Dates:
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circa 1930s
- Size:
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0.27 Linear feet (1 box)
- Collection ID:
- ACMA.06-061
- Repository:
-
Anacostia Community Museum Archives
The collection, which dates from circa 1930 to 1939 and measures .27 linear feet, is comprised of 6 musical scores and one small Luzianne coffee can. Musical scores include: 1) Minstrel Book; 2) Cotton Club Parade 27th edition; 3) O Death Where is Thy Sting?; 4) The Moon Shines on the Moonshine; 5) Zip-a-Dee-Doo-Dah; 6) When You Sang Hush-a-bye Baby to Me.
Found In
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- Creators:
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Basile, Mark
Coca, Imogene
- Dates:
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1879-2008
- Size:
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7.5 Cubic feet (5 boxes, 4 framed items, 12 accordion folders, two loose stacks)
- Collection ID:
- NMAH.AC.1479
- Repository:
-
Archives Center, National Museum of American History
The collection documents the life and career of comedian Imogene Coca.
Found In
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- Creators:
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Reagan, Albert B., 1871-1936
- Dates:
-
undated
- Size:
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212 Pages
2 Maps
3 Items (musical score pages )
- Collection ID:
- NAA.MS1802
- Repository:
-
National Anthropological Archives
Includes text and drawings, 2 sketch maps, 21 native drawings, 3 pages musical scores.
Found In
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- Creators:
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Tappen, Neil C., 1920-2013
- Dates:
-
undated
- Size:
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15 Pages
- Collection ID:
- NAA.MS7314
- Repository:
-
National Anthropological Archives
Includes cranium number, sex, age, right supraorbital, right superciliary, left superciliary, left supraorbital, and superciliary arch development. The table shows through a code the degree of development of vermiculate surfaces and degree of elevation at superciliary regions.
Found In
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- Creators:
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Boudini, Phil
Boudini Brothers
Boudini, Dan, 1891-
- Dates:
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1909-1928
- Size:
-
1.25 Cubic feet (4 boxes)
- Collection ID:
- NMAH.AC.1426
- Repository:
-
Archives Center, National Museum of American History
The papers document the Boudini Brothers Vaudeville act. They include letters, postcards and telegrams, mostly of a business nature (such as relating to bookings); business papers including contracts and papers relating to expenses; photographs of the family and of the act; programs; scores and sheet music; music manuscripts; advertisements for app...
Found In
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- Creators:
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Rogers, John B., Producing Company
National Museum of American History (U.S.). Division of Community Life
- Dates:
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1929-1934.
- Size:
-
0.33 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.0245
- Repository:
-
Archives Center, National Museum of American History
The John B. Rogers Producing Company was established in 1903 as a supplier of costumes, sets, lights, and scripts for amateur theater. Its main office remained in Fostoria, Ohio until 1977, when the company moved to Pittsburgh, Pennsylvania.
Found In
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- Creators:
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Mangione, Chuck, 1940-
- Dates:
-
1972-2009
- Size:
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6 Cubic feet (12 boxes, 10 oversize folders)
- Collection ID:
- NMAH.AC.1151
- Repository:
-
Archives Center, National Museum of American History
Archival materials documenting the career of musician Chuck Mangione.
Found In
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- Creators:
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Bergman, W.
- Dates:
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1855
- Size:
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0.43 cu. ft. (1 12x17 box)
- Collection ID:
- Accession 99-031
- Repository:
-
Smithsonian Institution Archives
This accession consists of the musical score of the Smithsonian Polka composed by W. Bergman, a music teacher, and published by Hilbus and Hitz of Washington, DC. The score is four pages long. It was originally a gift from Mrs. Herbert Hoover to the Charles D. Walcott family, who gave it to the Smithsonian Institution in May 1934.
Found In
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- Creators:
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Ellington, Duke, 1899-1974
Russo, William, 1928-2003
- Dates:
-
circa 1967-1968
- Size:
-
0.5 Cubic feet (1 box)
- Collection ID:
- NMAH.AC.0406
- Repository:
-
Archives Center, National Museum of American History
William Russo Transcription and Arrangement of Duke Ellington's First Concert of Sacred Music consists of the full conductor score, orchestral parts, and choral parts to "In the Beginning God," "Tell Me It's the Truth," "Come Sunday," "The Lord's Prayer," "Will You Be There?" "Ain't But the One," and "David Danced." The transcription and arrangemen...