Stevenson Scott papers relating to Augustus John
Letters from British artist Augustus John to his dealer, Stevenson Scott of Scott & Fowles, and related clippings. Included are three letters, 1929, discussing John's painting, "Chrysanthemum," which Scott had to send back to John before it could be included in his show in New York; one letter, 1942, referring to his portrait …
Scott & Fowles artists' files
The artists' files of commercial New York art gallery Scott & Fowles measure 2.5 linear feet and date from 1904 to 1946. The majority of the collection contains photographs of artwork, biographical writings on the artists, and notes regarding sales transactions, artwork descriptions, and history of the ownership of artworks by artists such as Augustus John, Peter Lely, and Thomas Rowlandson. Also included in smaller amounts are letters, financial records, and clippings.
Martin Birnbaum papers
The papers of New York art dealer, critic, and author Martin Birnbaum measure 3.2 linear feet and date from 1862-1967, with the bulk of the material dating from 1920-1967. The papers document Birnbaum's association with the firm of Scott & Fowles, the lives and activities of his friends and colleagues, and his literary work, through biographical material, correspondence, writings and notes, business records, printed material, a scrapbook, scattered artwork, and photographs of Birnbaum, friends and colleagues, and artwork.
Blackfoot photographs with typed captions
Catalog Number 4724 Blackfoot: 1. "Blackfeet Indian Encampment near Browning, Montana" Date: July 5, 1923. 2. "Blackfeet Indian Sun Lodge near Browning, Montana" July 8, 1923. 3. "Writing-on-stone, near Coutts, Alberta, Canada. ... Note profile of human head among rocks above the [Three] Indians [seated below stones]." Left to right: Split Ears, Bird Rattler, and Jack Wagner September 14, 1924. 4. Close …
Department of Anthropology collection of photographs of anthropologists
2 Prints (woodburytype)
42 Prints (albumen, silver gelatin, and platinum)
18 Prints (halftone)
The collection consists of studio portraits and expedition photographs of anthropologists, administrators, scholars, and others. It includes some photographs of an Native American demonstrating sign language, possibly made during W J McGee's Seriland expedition. Photographers represented in the collection are Charles Milton Bell, A. E. Dumbie; De Lancey W. Gill …
Oral history interview with Jackie Ferrara
United States. General Services Administration. Design Excellence and the Arts Oral History Project
115 Pages (Transcript)
An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings …
Pietro Lazzari papers
The papers of muralist and sculptor, Pietro Lazzari, measure 12.84 linear feet and date from 1878 to 1998. The papers document Lazzari's life and career through biographical material, correspondence, business records, notes, writings, artwork, photographs, and printed material.
Charles Scribner's Sons Art Reference Department records
The records of the Charles Scribner's Sons Art Reference Department measure 7.0 linear feet and date from 1839 to 1962. The records of the department include original art works, photographs, scattered letters, and miscellaneous printed material reflecting the portraiture and other illustration work completed in support of the wide range of materials and topics published by Charles Scribner's Sons over the company's long publishing history.
Susan Conway Gallery records
The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.