The records of the Sculptors Guild measure 5.7 linear feet, date from 1936-1979, and document the history of this non-profit artist organization from its inception in 1937 to the late 1970s. The records contain correspondence and minutes documenting the activities of the Guild's various committees, legal and financial records, artist files for Guild members, exhibition files, printed material, scrapbooks and photographs.
Collection consists of original, master, and reference videos documenting interviews with Arthur Ganson, kinetic sculptor and inventor.
The papers of Una Hanbury measure 5.3 linear feet and date from 1910 to 1994, with the bulk of the material from 1966 to 1990. The collection documents the sculptor's career and the dispersal of her estate through business records, project files, subject files, printed material, and photographs. There is also a small amount of material relating to her personal life including correspondence with friends and family and photographs from various stages of her life.
The papers of sculptor Richard McDermott Miller measure 3.4 linear feet and date from 1962 to 2001. The papers document his work as an artist and teacher in New York City through biographical material, financial and business records, writings, subject files, and correspondence. His personal records about the National Academy of Design, of which he was an active member and president, are included.
This small collection of papers of Cuban born sculptor and painter Tomás Oliva measure 0.2 linear feet and date from circa 1969-1996. Found among the papers are a chronology; life documents; exhibition catalogs, including one from the 1993 exhibition of three of the original Los Once Cuban artist's group forty years after their first exhibition in Havana; one letter from Cyndee Levy-Angulo; notes and poetry; a photograph of Oliva with José Antonio Díaz Peláez; photographs of sculpture, two sketchbooks; and loose sketches and doodles.
The photographic materials of equestrian sculptor, Amory C. Simons, measure 0.7 linear feet and date from circa 1910 to circa 1984, with the bulk of the material dating from circa 1910 to circa 1920s. The collection includes four letters to Simons, photographic prints, negatives, and glass plate negatives of horses and riders including New York City police and mounted models, and other miscellaneous subjects.
The papers of sculptor and teacher Thomas Morin measure 4.7 linear feet and date from 1952-2015. His career at several universities and art schools as well as his work as a sculptor and metalsmith are documented through biographical material, correspondence, writings, professional files, printed material, and artwork. The bulk of the collection consists of photographs and slides of Morin's artwork and the fabrication process.
The papers of painter, printmaker and sculptor Agnes Mills measure 1.1 linear feet and date from 1948 to 1999, with the bulk of the material from 1974 to 1993. Her enduring interest in dance theatre is demonstrated in the papers. Reminiscences of her time in the WPA, artist statements, sketchbooks, and a bound compilation of publicity, biographical notes, and images of artwork provide an overview of her professional accomplishments. The collection also includes curricula vitae; correspondence; writings by and about the artist; price lists and inventories; articles, news clippings, press releases and exhibition announcements; original artwork; and photographs of both the artist and her work.
The papers of sculptor Bernice West Beyers measure 1.7 linear feet and date from 1912-1987. Found within the papers are biographical material; letters that discuss sculpture commissions and exhibitions; scattered business and financial records; notes and writings; a sketchbook; printed material, including 3 scrapbooks of clippings; and photographs of Beyers and photograph albums of her art work.
The papers of African American painter, printmaker, and sculptor Elizabeth Catlett measure 0.3 linear feet and date from 1957 to 1980. The collection consists of printed material, such as project-related press; exhibition announcements, catalogs, and posters; publications featuring articles about Catlett; clippings; and cards featuring reproductions of Catlett's work.