The journals of New York City sculptor and graphic artist, Boris Lovet-Lorski, measure 0.4 feet and a date from 1945-1966. The volumes consist of ten appointment diaries, which document aspects of Lovet-Lorski's daily life, such as medical appointments, dates with friends and other typical activities. The journals do not cover the entire period of 1945-1966 but are a random selection of annual volumes from this period.

The printed material of sculptor and draughtswoman Jackie Ferrara measures 2 linear feet and dates from 1964-2012. The material documents her projects and exhibitions through books, brochures, clippings, exhibition announcements and catalogs, journals, magazines, and two video recordings.

Priscilla Cunningham papers regarding Sue Fuller measure 0.2 linear feet and are dated 1982-2006. The friendship between Cunningham and Fuller and Fuller's sculpture are documented by letters and photographs. Also included is a written version of Fuller's reminiscences of Atelier 17 in New York City that she presented at the Pollock-Krasner House and Study Center in 1993.

The Eve Propp papers regarding artist Joseph Cornell date from 1966-1994 and measure 1 linear foot. This small collection documents the relationship between Eve Propp, a gallerist, and Joseph Cornell. The two maintained a friendship through frequent letters and visits. The papers consist of approximately sixty letters from Cornell to Propp from 1968-1972, letters from others, notes on Propp's visits to Cornell, printed material, and photographic material.

The papers of sculptor, author, and poet, William Ordway Partridge, who was active in New York City and Washington, D.C., measure 0.2 linear feet and date from 1879-1920, and 1957. This small collection consists primarily of letters to Partridge from artists, political figures, art historians, and authors; drafts and typescripts of Partridge's poems; and two clippings about Partridge's sculpture.

The papers of exhibition curator Sanford Schwartz measure 0.7 linear feet and date from 1948-2011. The papers document the preparation and organization of two exhibitions curated by Schwartz, the Myron Stout retrospective at the Whitney Museum of American Art in 1980, and The Early Work of William King at Alexandre Gallery in New York City in 2007. Materials regarding Provincetown, Massachusetts painter Myron Stout (1908-1987) include correspondence with Stout and lenders to the exhibition; notes, writings, and sketches by Schwartz pertaining to the exhibition; and photographs of Stout, including one with Hans Hofmann teaching in Provincetown in 1948. Material regarding sculptor William King (1925-1990) includes correspondence between Schwartz and King, exhibition research and notes, photographs of artwork, and printed material.

The papers of New York artist Zarina Hashmi date from 1950-2015. The extent measures 1.1 linear feet and 4.28 gigabytes. This small collection documents Hashmi's life and career through biographical material; correspondence with friends, dealers, and curators; writings, including diary pages, a digital video recording of a lecture, and notebooks; project files containing sketches, studies, and reference material; printed material; and over 100 photographs from various stages in the artist's life.

The papers of artist Edna Reindel measure 0.8 linear feet and date from circa 1918-1990. The collection contains biographical material, printed material, artist files and photographs that document Reindel's career and her friendships with Hollywood celebrities, art patrons, and artists.

The papers of sculptor and educator Robert M. Cronbach date from 1914-2004 and measure 3.9 linear feet. The papers include biographical material, correspondence, writings, project and commission files, exhibition files, printed material, and photographic material relating to the life and career of Cronbach. The bulk of material is comprised of project and commission files pertaining to sculptures, fountains, and other proposals for public and private spaces.

The papers of environmental artist and sculptor Barbara A. Roux measure 0.2 linear feet and date from circa 1979-2017. Included are biographical material and printed material consisting of press releases, exhibition catalogs and announcements relating to Roux's ecological and environmental themed installations and sculptures. Also found are two video recordings of televised interviews with Roux,1988 and 2000. Of note, is a letter featuring a drawing of a flower by Ray Johnson,"Poppy Day/ febr. 4, 1979" inscribed, "for Barbara R. from R. Johnson."