Ilene Segalove papers
The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 7.1 linear feet and 6.06 gigabytes and date from 1964 to 2021. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art. There is a 2.7 linear foot unprocessed addition to this collection donated in 2021 that include materials from Segalove's childhood, photographs of family events, and materials related to recent projects including sound recordings on cassette. Materials date from 1960-2021.
Lowell Darling papers
The papers of conceptual and performance artist Lowell Darling measure 4.6 linear feet and 6.32 GB and date from 1945 to 2012. The collection contains biographical material primarily in the form of address books and contact lists; correspondence; project files for works of art and performances including files and artifacts related to Darling's 1978 gubernatorial campaign; printed material, including a clippings portfolio; photographic material; and artwork, including sketches, collages, and stamps.
Oral history interview with Tom Jancar
58 Pages (Transcript)
An interview with Tom Jancar conducted June 23 2017, by Hunter Drohojowska-Philp, for the Archives of American Art, at Pomona College, Art Department, Claremont, California.
Jancar Gallery records
The records of Jancar Gallery, located in Los Angeles, California, measure 2.5 linear feet and 23.80 GB and date from circa 1972 to 2015, with the bulk of the papers dating from 2006 to 2014. The collection includes exhibition and artist files; administrative and financial records; printed and digital material; and records of the Jancar/Kuhlenschmidt Gallery.
Oral history interview with Allan Sekula
143 Pages (Transcript)
An interview with Allan Sekula conducted 2011 August 20-2012 February 14, by Mary Panzer, for the Archives of American Art at Sekula's studio and home in Los Angeles, California and at the Museum of Modern Art in New York, New York.
Jaime Davidovich papers
The papers of New York-based, Argentinian born conceptual and performance artist Jaime Davidovich, measure 2.3 linear feet and date from 1949 to 2014. The collection document's Davidovich's transition from Argentina to the United States, his early artistic career in both countries, specific projects and exhibitions, and the way in which Davidovich's work intersected with audiovisual media and the New York avant-garde in the 1960s and 1970s. Papers include biographical materials, correspondence, writings including memoirs, exhibition and project files, scrapbooks, and printed materials.
Marcia Tucker papers
The papers of curator and museum director Marcia Tucker measure 2.4 linear feet and date from 1973-1994. The collection documents Tucker's tenure as the Director of the New Museum of Contemporary Art in New York through artists' files, correspondence, project files, printed material, and photographs. The papers also reflect Tucker's activities as an advocate for women in the arts.
Diana Fuller papers and gallery records
The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.