This accession consists of materials related to the development, research, and production of exhibitions at the National Museum of the American Indian (NMAI), both at the Mall museum site and at the George Gustav Heye Center (GGHC) in New York, New York. Exhibitions covered include The Art of Being Kuna …
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with museums within and outside of the United States and …
Robert Bruce Inverarity papers
The papers of artist, photographer, museum director, anthropologist, and writer Robert Bruce Inverarity are dated circa 1840s-1997 and measure 12.7 linear feet. Biographical information, correspondence, writings and notes, subject files, art work, scrapbooks, sound recordings, printed material and photographs are found within the papers. They document Inverarity's work as Director of the Federal Art Project in Seattle and Director of the Art and Craft Project for the State of Washington, as well as his other professional work. Nineteenth century material consists of a Japanese print, printed material, and photographs.
This accession consists mostly of exhibit scripts for Smithsonian Institution Traveling Exhibition Service projects. Materials include memoranda, correspondence, manuscripts, photocopies of articles from journals, sketches and drawings, architectural blueprints, brochures, cost accounting summaries, photographs and slides, and maps depicting foreign countries.
These records consist of exhibition files maintained by the Exhibitions Coordinator. Included in the files are correspondence, staff memoranda, checklists, vouchers, and exhibition photographs. Exhibitions represented include Zoo to Art: Animal Subject by American Sculptors, 1985, and Still Lifes by Henry Lee McFee by Henry Lee McFee, 1986.
These records document the planning, development, and installation of exhibitions by the Department of Painting and Sculpture, Hirshhorn Museum and Sculpture Garden (HMSG). Included are biographical and bibliographical research files on artists; correspondence with museums, galleries, and artists concerning loan of artwork; loan reports; shipment records; installation notes and photographs …
Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and letters. A large amount of correspondence …
Floyd Coleman papers
The papers of African American art historian, educator, and painter, Floyd Coleman, measure 8.1 linear feet and date from 1954 to 2017 with the bulk of the material dating from the 1980s to the 2000s. The collection contains biographical material; correspondence; writings, including drafts of essays and lectures; material related to his professional activities, including teaching files, files related to the National Conference of Artists, project files, and other files related to his professional life; artist and subject files; printed material; and a small amount of photographic material. The collection also contains audiovisual material and born-digital records.
This accession consists of records that document the design, production, and installation of permanent and temporary exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. There are also records related to the renovation of the Alice Pike Barney Studio House. Materials include drawings, sketches, floor plans, correspondence, memoranda …