The collection consists of approximately .25 cubic feet of correspondence, pamphlets, photographs, and books documenting Charles Came. The bulk of the collection consists of correspondence from Charles Came to his second wife, Cynthia (Chadwick) Came which were written during his travels throughout upstate New York. The correspondence is not incl...
The collection consists of five children's books about the circus, a brochure announcing the show in London, an 1873 advertisement for the Great Traveling World's Fair of Barnum's, and two scrapbooks.
Processed by Craig Orr, archivist, (1999); Jennifer Shaifer (intern), October-December 2008; Ramona Williamson (volunteer), November 2008; Sarah Allan, November 2008; supervised by Vanessa Broussard Simmons, archivist.
This collection consists of 4.3 cubic feet of manuscript, print, and photographic materials created or collected by Carl de Wendler-Funaro (1898-1985) in pursuit of his interest in Gypsy life and culture. (Carlos de Wendler-Funaro used several forms of his name; he wrote mostly as Carl de Wendler-Funaro.) The -collection was brought to the attentio...
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 36 consists of folios and songbooks. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 11: Entertainment contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.