Concerns the origin of the Dream Dance, relations between Skinner and Truman Michelson over the former's reports on the matter, and questions of the honesty of certain Tama Fox who were Michelson's informants and Skinner's own informants.
Memoranda of critical notes on "Observations on the Ethnology of the Sauk Indians," by Alanson Skinner (Bulletin Pub. Museum of Milwaukee, 1923).
Tribes covered in the photographs are: Arapaho, Blackfoot, Cheyenne, Chippewa, Iowa, Iroquois, Mahican, Menomini, Ojibwa, Oto, Plains Cree, Potawatomi, Seminole, Seri, Shinnecock, Sioux, Winnebago, Zuni Pueblo. The majority of photographs (552) have Skinner listed as the photographer and presumably are photographs he took on his expeditions. However, 104 photos are of the Seminole in Florida. According to Dennis P. Carey's biography of Skinner (Unpublished? 1980) Julian Q. Dimock, a well-known photographer, accompanied him on his expedition to the Seminole in Florida; how many of the photos were taken by Dimock is unknown, but he is listed as the photographer for 23 of them. Skinner's other photographs are of the Seneca Iroquois in New York; the Zuni Pueblo and Hawikku site; several tribes in Wisconsin; the Chippewa in Minnesota; and miscellaneous shots taken in Canada, Costa Rica, Florida and New York. Two photographs of the Mahican were taken by Huron H. Smith (1923) and two of the Winnebago were taken by C.J. Van Schaick (c. 1870). The remaining photographs have no photographer listed but were in Skinner's collection of photographs and are of varying tribes with dates ranging from 1909 to 1923.
This collection includes negatives and prints created between 1917 and 1923 during the Hendricks-Hodge Hawikku (Hawikuh) archaeological expedition on the A:shiwi (Zuni) Reservation in New Mexico. The expedition which was sponsored by the Museum of the American Indian, Heye Foundation, was one of the most extensive archaeological projects conducted at the time. Photographs in this collection were shot by Alanson B. Skinner, Frederick Webb Hodge, Edwin Francis Coffin, George Hubbard Pepper, Jesse L. Nusbaum, Donald Cadzow, and Victor Schindler. Many of the photographs in this collection have been restricted due to cultural sensitivity.
Contents: Adirondack tribe (St Lawrence River) Old Manuscript Number 3553. Adoption Old Manuscript Number 4007. Refers to Algonquian method of counting -only; see Haas note 2/18/72; Old Manuscript Number 3864. "Alligewi"; Animism Old Manuscript Number 3867 and 2842-c, box 6. Blood Indians, origin of name; Brant, Joseph Old Manuscript Number 3874. C...
These records document the governance and programmatic activities of the Museum of the American Indian/Heye Foundation (MAI) from its inception in 1904 until its sublimation by the Smithsonian Institution in 1990. The types of materials present in this collection include personal and institutional correspondence, individual subject files, minutes and annual reports, financial ledgers, legal records, expedition field notes, research notes, catalog and object lists, publications, clippings, flyers, maps, photographs, negatives and audio-visual materials. These materials span a varied range of subjects relating to the activities of the museum which are more fully described on the series level.
Items have been tentatively identified and individually cataloged. Subjects include Hewitt, J. N. B.; Cushing, Frank H.; Powell, Johns Wesley; Hemenway, Mrs. August; Sapir, Edward; Hodge, F. W.; Radin, Paul; Kroeber, Alfred; Michelson, Truman; Fewkes, J. W.; Skinner, Alanson; Indian interest groups; Parker, Arthur C.; McGee, W. J. ; Swanton, J. R.;...
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
The records of the Downtown Gallery date from 1824 to 1974 (bulk 1926-1969) and measure 109.56 linear feet. The records present a comprehensive portrait of a significant commercial gallery that operated as a successful business for more than forty years, representing major contemporary American artists and engendering appreciation for early American folk art. There is an unprocessed addition to this collection dating circa 1970 of a single financial/legal document.
This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.