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- Creators:
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Renwick Gallery
- Dates:
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1957, 1961-1989, 1997-2003
- Size:
-
25 cu. ft. (25 record storage boxes)
- Collection ID:
- Accession 10-128
- Repository:
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Smithsonian Institution Archives
This accession consists of records documenting the activities of the Renwick Gallery during the tenures of Lloyd E. Herman, Director, 1971-1986; Michael W. Monroe, Curator-in-Charge, 1986-1995; and Kenneth R. Trapp, Curator-in-Charge, 1995-2003. Topics covered include art organizations; craft fairs and craft schools; correspondence with m...
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- Creators:
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National Museum of American Art and Portrait Gallery. Library
- Dates:
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circa 1910-1986
- Size:
-
10.43 cu. ft. (20 document boxes) (1 12x17 box)
- Collection ID:
- Record Unit 333
- Repository:
-
Smithsonian Institution Archives
This collection consists primarily of brochures, booklets, and books cataloging single exhibitions at the National Gallery of Art, the National Collection of Fine Arts, the National Museum of American Art, and the Renwick Gallery. Also included are a few catalogs from exhibitions of SITES. There are catalogs from exhibitions staged by the ...
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- Creators:
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National Museum of American Art. Office of Exhibition and Design
- Dates:
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1947-1983
- Size:
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4.93 cu. ft. (2 16x20 boxes) (37 oversize folders)
- Collection ID:
- Record Unit 452
- Repository:
-
Smithsonian Institution Archives
This record unit consists of approximately 800 posters, which primarily document exhibitions, programming, and collections at the National Collection of Fine Arts (NCFA) and later, the National Museum of American Art (NMAA). Several posters serve as advertisements for the museum, incorporating imagery from artists' works within the collection....
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- Creators:
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Renwick Gallery. Office of the Director
- Dates:
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1967-1988
- Size:
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15 cu. ft. (15 record storage boxes)
- Collection ID:
- Record Unit 465
- Repository:
-
Smithsonian Institution Archives
This record unit primarily documents the tenure of Lloyd Herman, Director of the Renwick Gallery, but also contains the records of David W. Scott, Robert Tyler Davis, and Joshua C. Taylor, directors of the National Collection of Fine Arts (NCFA). The records pertain to temporary exhibitions as well as the permanent collections of the Renwick ...
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- Creators:
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National Museum of American Art. Office of the Deputy Director
- Dates:
-
circa 1967-1983
- Size:
-
15 cu. ft. (15 record storage boxes)
- Collection ID:
- Record Unit 444
- Repository:
-
Smithsonian Institution Archives
These records consist of files maintained by Harry Lowe in his positions as Curator of Exhibits and Assistant, Acting, and Deputy Director.
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- Creators:
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National Collection of Fine Arts. Office of Administration
- Dates:
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1964-1980
- Size:
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15 cu. ft. (30 document boxes)
- Collection ID:
- Record Unit 447
- Repository:
-
Smithsonian Institution Archives
These records include administrative subject files, personnel records, financial and budgetary materials, and exhibition files. The administrative subject files contain letters, memoranda, reports, inventories, and other records which chronicle the day-to-day operations of NCFA. Among these are correspondence with NCFA curators and Smithsonian...
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- Creators:
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National Museum of American Art. Office of the Registrar
- Dates:
-
1963-1987
- Size:
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54.58 cu. ft. (54 record storage boxes) (1 tall document box)
- Collection ID:
- Record Unit 453
- Repository:
-
Smithsonian Institution Archives
This record unit documents the activities of the Office of the Registrar staff and consists of temporary loan files; temporary exhibition files, including shipping, insurance information, and loan agreements; general correspondence files; administrative files; and the files of the Smithsonian Art Commission, 1963-1975.
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- Creators:
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Daley, William, 1925-
- Dates:
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1905-2004
bulk 1951-2001
- Size:
-
15.2 Linear feet
- Collection ID:
- AAA.dalewill
- Repository:
-
Archives of American Art
The papers of ceramist William P. Daley measure 15.2 linear feet and date from 1905-2004 (bulk 1951-2001). The collection documents Daley's career as both artist and teacher through biographical information, correspondence, exhibition files, project files, material on workshops, seminars, and lectures, teaching files, artist files, reference files, printed material, photographs, financial files, and artwork.